Issue

GUO JIAN, Double Happiness, 2000, oil on canvas, 142 x 224 cm, courtesy Ray Hughes Gallery, Sydney.

Guo Jian

The Red Thread

The Red Thread

Tjibaou Cultural Centre, Noumea.

Our Identity Lies Ahead

DOUG AITKEN, Blow Debris, 2000, multi-projection video installation with architectural elements, dimensions variable, courtesy the artist and 303 Gallery, New York.

Flight Patterns

ANITA MAGSAYSAY-HO, Lavandera (Laundry Women), 1957, oil on board, 45 x 53 cm, private collection

12 ASEAN Artists

TURKEY TOLSON TJUPURRULA, Straightening Spears at Ilyingaungau, 1990, synthetic polymer paint on linen, 181.5 x 243.5 cm, collection the Art Gallery of South Australia, Adelaide.

Papunya Tula

Entrance to the former Gokusho Elementary School.

Museum City Fukuoka

Installation view of 'Canceled', with Wu Wenguang's video Diary.

Cancelled!

LEE WEN, Untitled, 2000, installation and performance, Raffles landing site, Singapore. Photograph Jeremy Hiah.

Monumental Statements

HU XIANGDONG, Dream Plant, 1998, resin, dimensions variable.

Post-Material

Skyline of the Pudolng district (detail), Shaghai. Photograph Wu Hung

The 2000 Shanghai Biennale

HUANG YAN, Meat, Shan-Shui (Landscape) Painting, 2000, (detail), ink and Chinese colour on pork, dimensions unknown.

Contagious Desire

Views of Shanghai, with Shi Yong's New Image of Shanghai Today, 1998.

A Naked City

JIANG JIE, Breakable Objects, 1994, installation with plaster and wire, dimensions variable

The Rise of a Feminist Spirit in Contemporary Chinese Art