Issue

NAM JUNE PAIK in collaboration with NORMAN BALLARD, PAUL GARRIN, DAVID HARTNETT and STEPHEN VITIELLO, Modulation in Sync, 2000, laser projections installation, Guggenheim Museum, N

TV Buddha, video fish: The worlds of Nam June Paik

DENNIS ASCALON, For I am the Truth and the Only Way,1998, mixed media, 126 x 95 cm

Picnic in an art garden: The 2000 Kwangju Biennale

YU PENG, Studio of the Heart: How Glad, 1992, ink on paper, 139 x 138.5 cm.

Man and Earth

ZHAO BANDI, The Big Rumour, Spreading Until Today, 1994, iron and perspex, 150 x 300 cm.

Moonflight in Beijing

ANTONIO MAK, Heaven and Hell, 1993.

A Poverty of Space

ALEXIS (KCHO) LEYVA, Untitled, 1994, Fifth Havana Bienal.

La Quinta Bienal de la Habana

NALINI MALANI, Dreamings and Defilings, 1991, accordion book, 22.9 x 279.4 cm. Side 1: watercolour, ink and enamel on mylar. Side 2: watercolour on monotype and photocopied collage

Nalini Malani: Missives from the Streets

VIVAN SUNDARAM, A River Carries its Past, 1992, (detail) engine oil and burn marks on handmade paper, 203 x 304 x 30 cm approx.

Vivan Sundaram: Storm over Asia

Swaminathan

BHURIBANI (Bhil tribe, Jhabua, Madhya Pradesh), Serpent and Peacock, c. 1982, watercolour on paper, 55.5 x 71 cm, collection Bharat Bhavan Museum, Bhopal. Photograph Ray Woodbury.

Adivasi Art

From left to right: N.N. RIMZON (b. 1957), Man in a Chalk Circle, 1985, painted fibreglass, 90 x 60 x 90.5 cm. VIVAN SUNDARAM (b. i943), Arabesque, 1989, oil on canvas, 175 x 136 c

Hundred Years: From the National Gallery of Modern Art Collection

JAMINI ROY, (Three Seated Women), c. 1942, gouache on paper, 42.5 x 26.5 cm, collection Art Gallery of New South Wales.

Some Thoughts on Modern Painting in India and Australia

RASHEED ARAEEN, Sculpture No. 2, 1965–87, painted steel, 122 x 122 x 122 cm.

An Interview with Rasheed Araeen

SIMRYN GILL, Bouquet (Pepper/Piper Nigrum), 1994, cast tin, from Bio-data, Adelaide Installations. Photograph Alan Cruickshank.

Five Elements