Issue

S. TEDDY D., Sakit Kepala di Rumah Tua (Headache in the Old House), 1999, installation, metal and wood, dimensions variable, courtesy Cemeti Art Foundation

Indonesia: S. Teddy. D.

RUANGRUPA and ADITYA, Post-Realist, 2002, installation, Buddha sculpture, video, television, detergent, water, plexiglass, dimensions variable, courtesy RuangRupa.

Indonesia: Ruaung Rupa

MIWA YANAGI, Elevator Girl House B3, 1997, C-print face-mounted on plexiglass, 180 x 450 cm. © the artist.

Japan: Miwa Yanagi

CHUNG SHUN-TA, Space Invasion III, 2000 (detail), installation, bread, dimensions variable.

A Different Reality

RISA SATO, Risa Campaign in California - Mother's Life, 1999, installation view, mixed-media installation, dimensions variable.

First steps: Emerging artists from Japan

TAKASHI MURAKAMI, Second Mission Project ko2, 2000, wall painting and fibreglass sculptures, courtesy Blum + Poe Gallery, California.

New York Scene: Takashi Murakami, Wang Du and Mel Chin

LI YUAN-CHIA, Photograph, 1993, hand-coloured black-and-white print, 40 x 25 cm.

Li Yuan-chia

ZHUANG HUI, Memorial Group Photo of the Residents of Gaozhuang Village, Jiuzhi Township, Daming County, Hebei Province on 13th August 1997, 1997 (detail), black-and-white photograp

From Inside the Body: Chinese New Photography and Video

YANAGI YUKINORI, Pacific - Shattered Blue (detail), 1997, pigment on muslin, silkscreen printed glass, plywood frame, 210 x 300 x 7 cm, collection Sanbishosha, Kuniaki and Katsuko

Excavating history: Yanagi Yukinori implodes Japan

HANH NGO, china, 1999 (detail), tapestry, cotton, dimensions variable.

Cross-cultural Translations: Hanh Ngo and 'being Vietnamese’

HERI DONO, Flying Angels, 1996 (detail), fibreglass, old clock parts, electronic parts, cotton, 10 figures, each 100 x 60 x 25 cm, collection the artist.

Breaking through twisted logic: Heri Dono’s Critical Eye

PAUL PFEIFFER, Red Background #2, 2000, digital C-print, 28 x 43 cm.

Processes of Erasure: Paul Pfeiffer's narratives of the global

ANDY LELEISI'UAO, Letters of Different Feet, 2000, acrylic on wood panels, triptych, 120 x 90.3 cm.

Samoan Art Histories

TARIQ ALVl, Somewhere Between (Exhibition and Studio), 1996 (detail), table, text, collage, pins, photocopies, magazine pages, photographs, dimensions variable.

The Aesthetic Obsessions of Tariq Alvi