Issue

Portrait of PATRIZIA SANDRETTO RE REBAUDENGO. Photo by Stefano Sciuto. Courtesy the artist.

Patrizia Sandretto Re Rebaudengo

Portrait of SYDNEY SHEN. Courtesy the artist.

Sydney Shen

Portrait of İNCİ FURNİ. Courtesy the artist.

İnci̇ Furni̇

Installation view of Disputed Utterance, 2019, wall installation composed of seven groups of lasercut C-printsmounted on cardboard and plexiglass bases, and seven texts printed on

Lawrence Abu Hamdan: In the Ear of the Beholder

Portrait of Okwui Enwezor, artistic director of Documenta 11, in Kassel, Germany, 2002. Photo by Werner Maschmann. Courtesy Documenta Archiv, Kassel.

Remembering Okwui Enwezor

Installation view of Landscape Series #1, 2013, video and 35mm slide projection: 5 min, at Nha San Collective, Hanoi, 2013. All images courtesy the artist.

A Conversation With Nguyen Trinh Thi: Filmmaking as Resistant Poetic Amplitude

Together We Might Get Away, 2019, oil on canvas, 244 × 183 cm. Unless otherwise stated, images courtesy the artist and albertz benda, New York.

INSIDE BURGER COLLECTION: Timothy Curtis

Installation view of AGATHA GOTHE-SNAPE and WRONG SOLO’s exhibition “Certain Situations,” at the Institute of Modern Art, Brisbane, 2019. Photo by Carl Warner. Courtesy Institute o

Brisbane: Agatha Gothe-snape and Wrong Solo

Installation view of YALOO’s Yaloo Seaweed Garden, 2019, projection mapping sculpture and virtual reality application, dimensions variable, at “ACT 2019: FoodHack,” Asia Culture Ce

Gwangju: Act Festival 2019: Foodhack

Installation view of CHIHARU SHIOTA’s Where Are We Going?, 2017/19, white wool, wire, and rope, dimensions variable, at “The Soul Trembles,” Mori Art Museum, Tokyo, 2019. Photo by

Tokyo: Chiharu Shiota

WU SHANZHUAN, Four Layers: Sky/Blast/ Butterfrog/Balloon, 2014, acrylic on canvas, 200 x 300.5 cm. Courtesy Long March Space, Beijing.

Beijing: Wu Shanzhuan

SIM CHI YIN, Remnants #12, 2017, giclée print on cotton rag paper, 110.5 × 110.5 cm. Courtesy the artist and Hanart TZ Gallery, Hong Kong.

Hong Kong: Sim Chi Yin

MANUEL OCAMPO, Learning to Code pt. 6, 2019, stitched and hand-painted collages,screenprint and acrylic on canvas, 126 × 116 cm. Courtesy the artist and STPI – Creative Workshop &

Singapore: Manuel Ocampo

BANI ABIDI, Death at a 30 Degree Angle, 2012, still from video installation: 15 min.Courtesy the artist and Experimenter Gallery, Kolkata.

Berlin: Bani Abidi