Issue

Installation view of *ANDREW LUK*'s _Haunted, Salvaged_, 2020, extruded polystyrene foam, paint thinner, expanding spray foam, cement, concrete, stainless-steel mesh, stainless ste

Up Close: Andrew Luk

*BYRON KIM*, _The Valleys are Asleep and the Mountaintops_, 2019, cotton fabric with natural dye, 157.5 x 137.1 cm. Courtesy the artist and Centre for Heritage, Arts and Textile, H

Up Close: Byron Kim

*SAWANGWONGSE YAWNGHWE*, _Bullet School VI_, 2018, oil and acrylic on canvas, 315 x 360 cm. Courtesy the artist and H Gallery, Bangkok.

Editor’s Letter: Facing Reality Anew

Installation view of

Dispatch: San Francisco: Between the rise and fall

*FELIX GONZALEZ-TORRES*, _Untitled (Ross and Harry)_, 1991, printed ink on punched cardboard and plastic, 19 x 24 cm. Copyright the artist. Photo by FotoGasull. Courtesy Museu d'Ar

One on One: Maria Taniguchi on Félix Gonzalez-Torres and Judy Freya Sibayan

*MF HUSAIN*, _Padmini Mohini Shankhini_, c. 1969, oil on canvas, 64.7 x 124.4 cm. Courtesy Sotheby’s New York.

118 Auction Report: Cancel Culture

Portrait of *RUTH BUCHANAN*. Photo by Stephen Wells. All images courtesy the artist and Mossman Gallery, Wellington.

Ruth Buchanan: Where Does My Body Belong

Portrait of *PANSY HO*. Courtesy MGM, Macau.

Pansy Ho: Creative Makeover

Portrait of ERIC BOOTH.

Eric Booth: Committed to the New

Installation view of (foreground) _People's Desire_, 2017-18, ceramic, wooden table, and brass plate, dimensions variable; (background) _The Myanmar Peace Industrial Complex Ⅲ_, 20

Sawangwongse Yawnghwe: Painting the Unstable State

_Mask - Unmask_, 1977, airbrush acrylic and feathers on unstretched canvas, 168 x 91 cm. Photo by Jay Jones. Courtesy the Carlos Villa Estate.

Carlos Villa: (not) Sorry

Up Close: Yhonnie Scarce and Edition Office

Up Close: Yhonnie Scarce and Edition Office

Portrait of *BRIE RUAIS* in her studio, 2020. Photo by Adam Reich. All images courtesy the artist and albertz benda, New York.

Inside Burger Collection 34: Brie Ruais: Terrestrial Affair

Installation view of MOON JOO's _Sea of Time_, 1999/2019, kinetic video installation, 10 TFT monitors, stainless steel, moving system, 350 x 50 x 240 cm, at

Gwacheon: Korean Video Art from 1970s to 1990s