Issue

Installation view of WONG PING’s The Ha Ha Ha Online Cemetry Limited (foreground), 2019, toy dentures, dimensionsvariable, and Dear, Can I Give You a Hand? (background), 2018, anim

London: Wong Ping

Installation view of MRINALINI MUKHERJEE’s “Phenomenal Nature” at the Met Breuer, New York, 2019.Courtesy the Metropolitan Museum of Art, New York.

New York: Mrinalini Mukherjee

Installation view of selected works from TRUC-ANH’s Ink Kingdom series, 2015– , ink on paper, dimensions variable, at “Where the Sea Remembers,” The Mistake Room, Los Angeles, 2019

Los Angeles: Where the Sea Remembers

South Ho Siu Nam at his desk in his Fo Tan studio.

South Ho Siu Nam

On Board with Good Business

The De-Satirized Zone

The De-Satirized Zone

Installation views of Elevator Pitch, created in collaboration with New Orleans Airlift and Rick Snow, 2019, mild steel, stainless steel, copper, acrylic, cypress, electronic instr

IN DEPTH: CHRISTINE SUN KIM, NAOMI BLACKLOCK, DYLAN MIRA

MEIRO KOIZUMI, Air #1, 2016, oil on printed canvas, 40 x 60 cm. Takashi Collection, Tokyo. All photos by HG Masters for ArtAsiaPacific.

Nagoya and Toyota: Aichi Triennale 2019

THE POINT: Thinking Outside the (Fair) Box

Guangzhou: The Racing Will Continue, The Dancing Will Stay

Basel: Geumhyung Jeong

Toronto: Joana Hadjithomas and Khalil Joreige

BOOK REVIEWS: Alternative Perspectives

PATTY CHANG, Flotsam Jetsam – Linyi and Tiger, 2007, inkjet photograph, 102 × 127 cm. Courtesy the artist and David Kelley.

Special Effects