The Editors

KATHERINE TZU-LAN MANN, Trellises, 2014, acrylic and sumi ink on cut paper, dimensions variable. Courtesy Kashya Hildebrand, London.

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London: Katherine Tzu-Lan Mann

Voon Pow Bartlett

SHURUQ HARB, The Keeper (detail), 2011–13, installation with video, photographs, wires, clips and street sign, dimensions variable. Photo by Bashar Alaeddin. Courtesy the artist.

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New York: Here and Elsewhere

Nadia al-Issa

ARCHITECTURE IN THE SOUTH PACIFIC: THE OCEAN OF ISLANDS. By Jennifer Taylor and James Conner.Published by University of Hawaii Press, Honolulu, 2014. Hardcover with color illustrat

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BOOK REVIEWS: Building a "Pacific Oceanscape"

Laurent Gutierrez and Valérie Portefaix

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FINE PRINT: The Proof is in the Provenance

Enrique Liberman

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THE POINT: Valuing Personal Profit

Kevin Mitchell

Street view of the northern neighborhood of Azadpur in New Delhi. Photo by Varun Shiv Kapur.

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DISPATCH: New Delhi

Jyoti Dhar

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The Young and the Restless

Elaine W. Ng

JASON LIM, Last Drop, 2005, performance at

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ONE ON ONE: Lee Wen on Jason Lim

Lee Wen

*ROBERT ZHAO RENHUI*, _Painted Indian Glassy Fish, Mekong Deep Blue Variant_, from

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Milan: Robert Zhao Renhui: A Guide to the Flora and Fauna of the World

Alessandra Alliata Nobili

Kisihio Suga in his studio at Ito.

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Where I Work: Kishio Suga

John Jervis

Issue 91

Magazine

Issue 91

Nov/Dec 2014

The Shifting Sands of the Louvre Abu Dhabi

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The Shifting Sands of the Louvre Abu Dhabi

Kevin Jones

Ideas

Yokohama Triennale 2014

Elaine W. Ng

Mira Calix at Carriageworks, Sydney. Photo by Michael Young for ArtAsiaPacific.

Ideas

Kinetic Sound: Interview with Mira Calix

Michael Young

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