The Editors

*ROBERT ZHAO RENHUI*, _The Lines We Draw II (Towards North Korea)_, 2019, UV printed lightbox, 100 x 150 x 12 cm.Courtesy the artist and ShanghArt Gallery, Shanghai / Beijing / Sin

Issue

Singapore: Robert Zhao Renhui: The Lines We Draw

Marybeth Stock

*HASANUL ISYRAF IDRIS*,_ Nadi of Puspa_, 2017, from the _HOL (Higher Order Love) Chapter 2.3, Wound: Environment of Naga and Doubt_ series, 2017, watercolor, ink and color pencil o

Issue

Kuala Lumpur: The Body Politic and the Body

Beverly Yong

*ADJI DIEYE*'s _Maggic Cube_, 2016-19, lambda print on aluminum and yellow wooden frame, 100 x 70 cm. Courtesy the artist.

Issue

Vienna: . . . of bread, wine, cars, security and peace

Brian Haman

Installation view of *TRISHA BAGA*'s _Mollusca & The Pelvic Floor_, 2018, ceramics and various materials,two-channel projection with 2D video and 3D video: 37 min 18 sec, at

Issue

Milan: Trisha Baga: The eye, the eye and the ear

Alessandra Alliata Nobili

Installation view of (foreground) Seated Figure, Neo-Hittite, c. 10th-9th century BCE, basalt, 192 x 82 x 100 cm;(background) *RAYYANE TABET*'s _Genealogy_, 2016- , goat hair, dime

Issue

New York: Rayyane Tabet

Tanner Tafelski

*SHANNON TE AO*, _Ka mua, ka muri_, 2020, still from two-channel video: 5 min 30 sec. Courtesy the artist.

Issue

Toronto: Shannon Te Ao: Ka mua, ka muri

Ricky Varghese

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Issue

Book Reviews: Art History’s Takeaways

Chloe Chu, HG Masters, Ophelia Lai

Lo Lai Lai Natalie: Cultivating thoughts and vegetables

Issue

Lo Lai Lai Natalie: Cultivating thoughts and vegetables

Pamela Wong

The Sketch: Lam Tung Pang

Issue

The Sketch: Lam Tung Pang

The Editors

The NYU Abu Dhabi Art Gallery Launches Events for Exhibitions Archives Release, 2014–2020

Ideas

The NYU Abu Dhabi Art Gallery Launches Events for Exhibitions Archives Release, 2014–2020

ArtAsiaPacific

Installation view of JEFFREY SHAW’s The Golden Calf, 1994/2018, mixed-media installation, dimensions variable, at “WYSIWYG,” Osage Art Foundation, Hong Kong, 2019–20. Copyright and

Imported

WYSIWYG

HG MASTERS

New York’s Solomon R. Guggenheim Museum deaccessioned *ZAO WOU-KI*'s oil-on-canvas _Untitled_ (1958) in March 2019, raising questions about the ethical boundaries of institutions’

Issue

119 Fine Print: The Ethics and Legality of Deaccessioning in Desperate Times

Ryan Su

*ZHENG BO*, _Pteridophilia 4_, 2019, from the Pteridophilia series (2016- ), still from video with color and sound: 16 min. Courtesy the artist.

Issue

The Point: Art as Multispecies Vibrancy

Zheng Bo

Portrait of JOVEN CUANANG. Courtesy Wigs Tysman / Philippine Tatler.

Issue

Joven Cuanang: A Second Life

JOHN ALEXIS BALAGUER

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