The Editors

Imported

The Tides of Time

Ophelia Lai

Imported

(Am)bivalent Images

Melanie Pocock

*LORNA SIMPSON*, _Most relevant_, 2020, gessoed fiberglass panel, 170.2 x 127 x 3.5 cm. Photo by James Wang. Copyright the artist. Courtesy the artist and Hauser & Wirth, Hong Kong

Issue

Hong Kong: Lorna Simpson: Special Characters

HG Masters

Imported

Decapitation

RATHSARAN SIREEKAN

Imported

Rendered Reality

ROSANNA LEE

Imported

Between History and Hope

JOHN ALEXIS BALAGUER

The Sketch: MAP Office

Issue

The Sketch: MAP Office

The Editors

Detailed installation view of *TOBIAS KLEIN*’s _Augmented Landscape_, 2020, computers, VR headsets, nylon (white), 3D print (Selective Laser Sintering SLS), mini projectors, projec

Imported

Tobias Klein: “Metamorphosis or Confrontation” with Digital Craftsmanship

Lauren Long

Installation view of *YERBOSSYN MELDIBEKOV*'s _Transformer_ (2020) in front of the Garage Museum of Contemporary Art, Moscow. Photo by Daniil Annenkov. Courtesy the Garage Museum o

Issue

120 News Roundup: Controversy, Career Moves, Public Domain

The Editors

Issue

120 Whispering Gallery: Hang Ten

DT

Detailed installation view of *CATALINA OUYANG*'s _font V_, 2020, soapstone, horse hair, glue, abandoned wood, gifted honeycomb, raw egg, white vinegar, 25.4 x 15.2 x 25.4 cm, at

Issue

120 New Currents: Catalina Ouyang, Xinyi Cheng, Yona Lee

Ophelia Lai, Pamela Wong, Lauren Long

Up Close: Diane Severin Nguyen

Issue

Up Close: Diane Severin Nguyen

Ophelia Lai

Up Close: Forensic Architecture

Issue

Up Close: Forensic Architecture

HG Masters

*CELIA HO* is now curator at Para Site, Hong Kong. Photo by Dor Lau. Courtesy Para Site.

News

Celia Ho Appointed Curator at Para Site

Fion Tse

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