Shows

AKRAM ZAATARI, Tomorrow Everything Will Be Alright, 2010, still from single-channel video, 12 minutes. Courtesy MIT List Visual Arts Center.

Akram Zaatari’s “Tomorrow Everything Will Be Alright”

FEDERICO HERRERO, Intervention in and around Para/Site, 2011, painted patches inside and outside Para/Site's space, 2012. Photo by Ann Woo for ArtAsiaPacific.

Para Site’s “Two Thousand Eleven”

JOANA HADJITHOMAS and KHALIL JOREIGE, Any recognition will be purely fortuitous (detail), 2005 - 2011, print, 150 x 260 cm. Courtesy the artists and CRG Gallery, New York.

Beirut in New York, “Due to unforeseen events...”

İNCI EVINER, Fluxes of Girls on Europe, 2010, HD Data Video, 3 min loop. Courtesy Istanbul Modern.

“Dream and Reality: Modern and Contemporary Women Artists from Turkey,” Part Two

MIHRI MÜSFIK, Portrait, undated, pastel on canvas, 116 x 89 cm. Istanbul Modern Collection.

“Dream and Reality: Modern and Contemporary Women Artists from Turkey,” Part One

TAKASHI KURIBAYASHI, Wald aus Wald (Forest from Forest), 2011, mixed media. Courtesy HKAC.

“Vision of Nature: Lost & Found in Asian Contemporary Art”

SARAH LAI, Endless Rotation, 2011, GIF video. Courtesy Gallery Exit, Hong Kong.

Sarah Lai’s “Safety Island”

TUN WIN AUNG and WAH NU, Blurring the Boundaries #5.1, 2009, digital print, 42 x 59 cm. Courtesy Meulensteen, New York.

Tun Win Aung & Wah Nu

KINGSLEY NG, +22° 16' 17

Kingsley Ng’s “A Thousand Plateaus”

Tomoko Yoneda, View of the wedding party on the river that divides North Korea and China, Dandong, China, 2007, C-type print. Courtesy ShugoArts

Tomoko Yoneda’s “Japanese House”

Installation view of SHEN SHAOMIN's I want to know what infinity is, 2011, silica gel simulation, wooden deck chair, at 4A Centre for Contemporary Asian Art, Sydney. Courtesy the a

Shen Shaomin’s “The Day After Tomorrow”

Alvaro Cassinelli and Alexis Zerroug, Laser Sensing Display, 2008, Smart Laser Projector. Installation view. Courtesy Microwave Festival.

Microwave International Arts Festival – Drifting Lab

Juree Kim, Evanescent Scape, 2011, clay, water, 700x700x36cm. Installation view. Courtesy Seoul Museum of Art.

“City_net Asia” at Seoul Museum of Art

*CHEN ZHEN*, _Daily Incantations_,
1996, wood, metal, Chinese chamber pots, electric wires, residues of
electrical and electronic objects, sound system, 230 x 700 x 350 cm.
Copyrig

Chen Zhen at de Sarthe Gallery