Shows

DINH Q. LE, Installation of the exhibition

Dinh Q. Le’s “Erasure”

FROG KING KWOK, Martin Wong East Village NYC, 1994, photo. Courtesy Para/Site Art Space, Hong Kong.

“Taiping Tianguo: A History of Possible Encounters” at Para Site

JOHN WOLSELEY, Flight of Ventifacts: Mallee, 2006–12, at Art Gallery of New South Wales, Sydney, 2012. Photo by Michael Young for ArtAsiaPacific.

18th Biennale of Sydney, “all our relations”

NINA YUEN, Clean, 2006, single-channel video, 4 min 11 sec. Courtesy Lombard-Freid Projects, New York.

“Home Where” at Lombard Freid

GRAPHIC AIRLINES, Should You See the Pain in My, 2012, mixed-media on canvas, 65 x 90 cm. Courtesy Schoeni Art Gallery, Hong Kong.

“Hong Kong Invisible” at Schoeni Art Gallery

YANG JIECHANG, We Are Good at Everything, Except for Speaking Mandarin - PRD, 2005, acrylic on silk mounted on canvas, 162 x 229cm. Courtesy Hanart TZ Gallery, Hong Kong.

Yang Jiechang’s “King of Canton”

LEUNG MEE-PING, I Miss Fanta, 2012, neon signage. Courtesy West Kowloon Cultural District Authority.

Mobile M+: Yau Ma Tei

YAN PEI-MING, Exécution, Après Goya, 2008, oil on canvas, 280 x 400.7 cm. Courtesy David Zwirner, New York.

Yan Pei-Ming’s “Black Paintings”

Exhibition view of

“Chinese Contemporary Abstract, 1980s Until Present: Mindmap”

A visitor takes a whiff of ZIAD HILAL’s cake sculpture, Celebration, 2012, at the opening of “Museum of Manufactured Response to Absence.” Courtesy MinRASY Projects.

“Museum of Manufactured Response to Absence”

LAURENT GRASSO, from

Laurent Grasso’s “Future Archeology”

Installation view of HYUNGMIN MOON's, By Numbers: Seoul Museum of Art 2000–2011, 2012, at the Seoul Museum of Art. Courtesy Seoul Museum of Art.

SeMA Youth 2012: 12 Events for 12 Rooms

Installation view of

“Sculpture by Other Means”

SIMON FUJIWARA, Selective Memory, 2012, mixed media, dimensions variable. Courtesy the artist. All images © Tate.

Simon Fujiwara’s “Since 1982”