Shows

SIVADOL SITIPOL, The Horizontal Mountain, 2012, wood and steel, 219 x 90 x 75 cm. Courtesy YenakArt Villa, Bangkok.

Sivadol Sitipol’s “Back to the Moon”

Installation view of RAJA’A KHALID’s “Solar Flare, Always Red” at Grey Noise, Dubai, 2016–17. Courtesy the artist and Grey Noise.

Raja’a Khalid’s “Solar Flare, Always Red”

MAMI KOSEMURA, Pendulum, HD video, 20 min, color, silent, 2016. Courtesy Dillion + Lee Gallery.

Mami Kosemura’s “Pendulum”

Installation view of WONG CHAK's

“Indulging in Imagination – Exhibition of Old Master Q’s Comics Works”

SIMON FUJIWARA, production still for Joanne, 2016. Courtesy FVU and the Photographers' Gallery.

Simon Fujiwara’s “Joanne”

Installation view of SIMON STARLING‘s exhibition, which lifts elements from WB Yeats’ noh-inspired production At the Hawk’s Well (1916). At the foreground is At Twilight / Mask of

Simon Starling’s “At Twilight (After WB Yeats’ Noh Reincarnation)”

*HERI DONO*, _Flying Angels_, 1996, fiberglass, fabric, bamboo, electronic devices, cable, automatic timer, 10 pieces, 120 x 40 x 60 cm each. Courtesy Tang Contemporary Art, Bangko

Heri Dono’s “Angel’s Exodus”

Installation view of RYUDAI TAKANO's “When the absence of light touches the ground, Distance is lost and distance created” at Yumiko Chiba Associates, Tokyo, 2016. Courtesy Yumiko

Ryudai Takano’s “When the absence of light touches the ground, distance is lost and distance created”

Installation view of

Taiwanese Artists Look “For a Better Tomorrow”

*IP YUK YIU*, _Clouds Falling_, 2016, still from single-channel video. Courtesy the artist.

Ip Yuk Yiu’s “Clouds Falling: Machinima”

*TREVOR YEUNG*, _The Cave_, 2016, table cloth, wood, cocktail tables, ceiling fans and LED lights, dimensions variable. Courtesy the artist and Blindspot Gallery, Hong Kong.

Trevor Yeung’s “The Sunset of Last Summer”

DINH Q. LÊ, Untitled (Double Woman), 2003, C-print and linen tape, 96.5 x 182.9 cm. Copyright and courtesy Mori Art Museum, Tokyo.

Tokyo: Dinh Q. Lê

*ALEXIS TEPLIN*, _Arch (The Politics of Fragmentation)_, 2016, oil and pigment on linen paintings and performances at Cockatoo Island. Courtesy the artist, Mary Mary, Glasgow, and

20th Biennale of Sydney: "THE FUTURE IS ALREADY HERE – IT’S JUST NOT EVENLY DISTRIBUTED"

Installation view of Chung Sang-Hwa's solo exhibition at Dominique Levy Gallery, New York, 2016. Courtesy Dominique Lévy Gallery.

Chung Sang-Hwa at Dominique Lévy