Shows

Installation view of YANG SONG's

Yang Song’s “Askr Yggdrasils”

YANG JIECHANG, 100 Layers of Ink, 1996–98, Chinese ink on xuan paper, gauze, 120 x 175 cm. Courtesy Alisan Fine Arts, Hong Kong.

Yang Jiechang’s “This is Still Bird and Flower Painting.”

RANGGA PURBAYA, Stories Left Untold (detail), 2015, two digital prints with frames, 60 x 90 cm each. Courtesy the artist.

The History of Boys: The MES 56 and Beyond

CHIU YU-CHEN, In Pursuit of the Sun, 2011, photography, 48 x 64 cm. Courtesy the artist.

“Considerate Creations: Chameleons”

LIANG QUAN, In Remembrance of Jiangnan – Pear Blossom in the Rain at Night, 1998, color, ink and rice paper collage, 89.5 x 67.5 cm. Courtesy FY Foundation, Shenzhen.

Liang Quan’s “Light as Tea”

Installation view of ANISH KAPOOR's exhibition at Museum of Contemporary Art of Rome (MACRO). Courtesy MACRO.

Anish Kapoor at the Museum of Contemporary Art of Rome

WONG KIT YI, October 8, 2015, p.m. / Argus-eyed / Gold, 2015, inkjet on archival paper, eight pinhole photographs on gelatin silver paper, 61x 81 cm. Courtesy the artist and P!, Ne

Wong Kit Yi’s “Futures, Again”

Installation view of REN HANG's exhibition

Ren Hang’s “Human Love”

NADIM ABBAS, installation view of the exhibition

Nadim Abbas’s “Camoufleur”

Field Trip: Kochi-Muziris Biennale 2016

Various works curated by Brian Boyd, as a part of the exhibition

“On the Origin of Art” at MONA

GHAZEL, installation view of “Mismappings,” at the International Studio & Curatorial Program, New York, 2017. Photo by Martin Parsekian. Courtesy ISCP.

Ghazel’s “Mismappings”

*PARASTOU FOROUHAR*, _Red is My Name, Green is My Name - Karree_, 2008, series of four digital prints, 80 x 80 cm each. Copyright and courtesy the artist.

“Iranian Voices: Recent Acquisitions of Works on Paper”

*DIA AL-AZZAWI*, _Five Children Playing Football_, 2015-16, ink on paper mounted on canvas, 3 x 10 m. Courtesy Qatar Museums.

Dia al-Azzawi’s “I am the Cry, Who Will Give Voice to Me?”