Shows

Korakrit Arunanondchai’s “nostalgia for unity”

Korakrit Arunanondchai’s “nostalgia for unity”

“Observing My Distant Self”—Kang Chunhui’s Journey to the Inner Land

“Observing My Distant Self”—Kang Chunhui’s Journey to the Inner Land

Hejum Bä’s “I want to buy unseen eyes”

Hejum Bä’s “I want to buy unseen eyes”

Community of Images: Japanese Moving Image Artists in the US, 1960s–1970s

Community of Images: Japanese Moving Image Artists in the US, 1960s–1970s

Tan Zi Hao’s “The Tongue Has No Bones”

Tan Zi Hao’s “The Tongue Has No Bones”

Heidi Bucher: And Pull Yesterday into Today

Heidi Bucher: And Pull Yesterday into Today

Tetsumi Kudo’s “Cages”

Tetsumi Kudo’s “Cages”

Installation view of CHIHOI's

Chihoi’s “Leeway” and Yooyun Yang’s “With Hands”

Installation view of

Janine Antoni’s “In my holding”

*YANG JIECHANG*, _Hundred Layers of Ink: Ten Thousand Things_, 1997, Chinese ink on rice paper, gauze mounted on canvas, 168 x 96 cm (one of three). Courtesy Alisan Fine Arts, Hong

Interspecies Subversion in “The Last Tree”

*DAVID MEDALLA*, _Psychic Self-Defense_, 1983, c-print, 40.5 x 31 cm. Photo by Guy Brett. Courtesy of David Medalla Archive and another vacant space, Berlin.

Shows to See in July 2024

Installation view of

“Titik Garis Bentuk: Drawing As Practice”

Exterior of the Sorol Art Museum in Gangneung, Korea. Courtesy the Sorol Art Museum.

Sorol Art Museum Presents Agnes Martin’s First Solo Exhibition in Korea

Installation view of *LEE JIN WOO*'s untitled works at White Cube Hong Kong, 2024. Photo by Kitmin Lee. Courtesy the artist and White Cube Hong Kong.

Lee Jin Woo at White Cube