Shows

*PARASTOU FOROUHAR*, _Red is My Name, Green is My Name - Karree_, 2008, series of four digital prints, 80 x 80 cm each. Copyright and courtesy the artist.

“Iranian Voices: Recent Acquisitions of Works on Paper”

*DIA AL-AZZAWI*, _Five Children Playing Football_, 2015-16, ink on paper mounted on canvas, 3 x 10 m. Courtesy Qatar Museums.

Dia al-Azzawi’s “I am the Cry, Who Will Give Voice to Me?”

Installation view of HO SIN TUNG’s “Surfaced” at Chambers Fine Art, New York, 2017. Courtesy Chambers Fine Art.

Ho Sin Tung’s “Surfaced”

Installation view of BROOK ANDREW's works in the exhibition “Sovereignty” at Australian Centre for Contemporary Art, Melbourne, 2016–17. Courtesy the artist, Tolarno Galleries, Mel

Nations Striving for “Sovereignty”

*KEN AND JULIA YONETANI*, _The Emperor’s New Clothes_, 2017, Bank of Japan Notes (1000 yen bill), crown, goryei (standing ei), asagutsu (shallow clogs), custom-made clothes rack, 2

Ken and Julia Yonetani’s “The Emperor's New Clothes: Money is at Once Nothing and Everything”

CARLA CHAN, Drifting Towards the Unknown, 2017, customized projection and smoke system, laser black screen and video: 18 min 30 sec. Courtesy the artist and Sexauer Gallery, Berlin

Carla Chan’s “When the world is left only black and grey”

MAHWISH CHISHTY, Reaper, 2015, gouache and gold flakes on paper, 50.8 x 76.2 cm. Copyright and courtesy the artist.

Mahwish Chishty at the Imperial War Museum

Sharjah Biennial 13, Tamawuj: Day 5

BOUCHRA KHALILI, installation view of “The Mapping Journey Project,” 2008, at Lisson Gallery, London, 2017. Courtesy Lisson Gallery.

Bouchra Khalili’s “The Mapping Journey Project”

*GUAN WEI*, _Reflection No.11_, 2016, acrylic on canvas, triptych: 130 x 162 cm. Courtesy the artist and Martin Browne Contemporary, Sydney. <br>

Guan Wei’s “Reflection” on History

İZ ÖZTAT AND FATMA BELKIS, Who Carries the Water, 2015/17, wood-printed naturally dyed muslin, palm fronds and carobs, 19-pages text reproduced with the mimeograph and silkscreen,

Sharjah Biennial 13, Tamawuj: Day 4

DO HO SUH, installation view of the exhibition “Passage/s” at Victoria Miro, London, 2017. Copyright the artist. Photo by Thierry Bal. Courtesy the artist, Lehmann Maupin, New York

Do Ho Suh’s “Passage/s”

MARIANA CASTILLO DEBALL, Hypothesis of a Tree, 2016, Bamboo structure, rubbings on Japanese paper, Sumi ink, with MONIKA SOSNOWSKA, Facade, 2013, painted steel, in the background.

Sharjah Biennial 13, Tamawuj: Day 3

COME INSIDE, installation view of Snap Like Snow Wallpaper, A4 color print 800 pages, and Snap Like Snow, two-channel video (both 2017), for the exhibition

Come Inside’s “Baby Shower”