Shows

Installation view of ZHANG PEILI's The Only Access, 2018, installation with iron bars and automatic doors, dimensions variable, at

“This is Shanghai”

Installation view of *DIANA AL-HADID*'s (foreground) _The Grotto_, 2017–18, aluminum, steel, polymer gypsum, fiberglass, and pigment, 11 x 4.2 x 0.3 m; and (background) _Gradiva_,

Diana al-Hadid’s “Delirious Matter”

*LI BINYUAN*, _Freedom Farming_, 2014, still from single-channel video documentation of performance, sound, color: 5 min 2 sec. Courtesy the artist.

Zhang Huan and Li Binyuan’s “Land”

Installation view of *LUO YING*'s

Luo Ying’s “Layered Hills”

Installation view of THE DJAYA BROTHERS'

“Revolusi in the Stedelijk”

Installation view of YUICHIRO TAMURA's “Hell Scream” at the Kyoto City University of Arts Art Gallery, 2018. All images copyright Yuichiro Tamura. Courtesy Kyoto City University of

Yuichiro Tamura’s “Hell Scream”

Installation view of *GAURI GILL*’s solo exhibition at MoMA PS1, New York, 2018. All images copyright the artist; courtesy the artist and Nature Morte, New Delhi.

Gauri Gill at MoMA PS1

Installation view of “Kotodama” at Para Site, Hong Kong, 2018. Courtesy Para Site.

“Kotodama”

Installation view of LIN MAY SAEED's

Lin May Saeed’s “Biene”

Installation view of *HAEGUE YANG*’s “Triple Vita Nestings” at the Institute of Modern Art, Brisbane, 2018. All photos by Carl Warner. All images courtesy the artist unless otherwi

Haegue Yang’s “Triple Vita Nestings”

Installation view of *SUNIL SHAH*’s “Uganda Stories” at Pitt Rivers Museum, Oxford, 2018. All images courtesy the artist.

Sunil Shah’s “Uganda Stories”

Installation view of *CAO FEI*'s _Asia One_, 2018, multichannel video installation, color, sound, dimensions variable, at “One Hand Clapping,” Solomon R. Guggenheim Museum, New Yor

“One Hand Clapping”

Installation view of <b>KAWITA VATANAJYANKUR</b>'s Untangled, 2018, HD video: 21 min 6 sec, at

Kawita Vatanajyankur‘s “Performing Textiles“

Installation view of *CLAUDIO PARMIGGIANI*’s _Senza Titolo_, 2013–15, plaster, in 351 parts, dimensions variable, at

“Melancholia”