Shows

Installation view of *JAMES CLAR*'s

James Clar’s “The World Never Ends”

Installation view of YOO YOUNGKUK's

Yoo Youngkuk’s “Colors from Nature”

Production still of Emma Jackson in *ZANNY BEGG*'s _The Beehive_, 2018, digital video installation, color, stereo sound: duration variable. Photo Philippa Bateman. Courtesy Enigma

Zanny Begg’s “The Beehive”

Installation view of “Focus Kazakhstan: Post-Nomadic Mind” at the Wapping Hydraulic Power Station, London, 2018. Photo by Thierry Bal. Courtesy the Focus Kazakhstan project.

“Focus Kazakhstan: Post-Nomadic Mind”

Installation view of *MAGGIE LEE*'s (left to right) Bossa Nova Civic Cup, 2018, plastic cup, hair accessory, shelf, 16 x 12 x 10.5 cm; and _Galcher Lustwerk MV_, 2018, CRT monitor,

Maggie Lee’s “Music Videos”

Installation view of

“Tell Me a Story: Locality and Narrative”

Installation view of MUSQUIQUI CHIHYING's solo exhibtion at Ullens Center for Contemporary Art, Beijing, 2018. Courtesy Ullens Center for Contemporary Art.

Musquiqui Chihying at the Ullens Center for Contemporary Art

Installation view of QIU SHIHUA's Lake, 1994, oil on canvas, 92 x 151 cm, at

Qiu Shihua’s “Dawn Light”

Installation view of REI NAITO's

Rei Naito’s “On This Bright Earth I See You”

Installation view of FRANKLIN CHOW's Untitled, 2007, seven works created with xuan paper, wire, ink and varnish, each 250 x 50 x 25 cm, at

Franklin Chow’s “Zigzagging My Way Home”

Installation view of *NIKI DE SAINT PHALLE* and *SHEN YUAN*'s

Niki de Saint Phalle and Shen Yuan’s “HON”

Installation view of Mao Haonan and Hsiung Cheng-Kai's “Continuous Terminus,” at ShanghArt M50, Shanghai, 2018. Photo Alex Wang. Courtesy ShanghArt Gallery, Shanghai / Beijing / Si

Mao Haonan and Hsiung Cheng-Kai’s “Continuous Terminus”

Installation view of

“The Voice of the Brush – Part II”

Installation view of ZHANG YANZI's

Zhang Yanzi’s “A Quest for Healing”