Editor's Letter

• How We Got Here By Elaine W. Ng

Reports

• ONE ON ONE: Isabel Aquilizan on Antonio Calma By Isabel Aquilizan
• DISPATCH: Guangzhou By Ruijun Shen

Essays

• Fine Art, Good Design, Hard Currency By John Jervis
• Breathing the Same Air By Wei-Ling Woo
• In Praise of Being Lost By Noelle Bodick
• The Printer Worth a Thousand Words By Chin-Chin Yap

Profiles

• Gulammohammed Sheikh By Olivier Krischer
• Budi Tek By Michael Young
• Ho Sin Tung By John Jervis

Features

• 10.04.2013: Reflections on the life and work of Zao Wou-ki By Tiffany Wai-Ying Beres and Alice King
• Nalini Malani: In the Heart of Darkness By Jyoti Dhar
• Koki Tanaka: Out of the Ordinary By Gabriel Ritter

Reviews

• Singapore: STRIP 2013 By Marybeth Stock
• Beirut: Rayyane Tabet: The Shortest Distance Between Two Points By Nadia al-Issa
• Auckland Triennial By Daniel Michael Satele
• Seoul: Gimhongsok By Katherine Tong
• Beijing: Lightness By Tiffany Wai-Ying Beres
• Hong Kong: Inflation By John Jervis
• Ho Chi Minh City: Phan Quang By Ruben Luong
• Mumbai: Rakhi Peswani By Brooke Kellaway
• Dubai: Hossein Valamanesh By Isabella E. Hughes
• Istanbul: Emre Hüner By HG Masters
• Los Angeles: Kaz Oshiro: Still Life By Jennifer S. Li
• Paris: Yue Minjun By Andrew Cohen
• New York: Hiraki Sawa By Hanae Ko
• BOOK REVIEW: First Among Equal? By Lee Ambrozy
• Milan: Apichatpong Weerasethakul By Alessandra Alliata Nobili

Where I Work

• Ashley Bickerton By HG Masters

The Sketch

• Moon Kyungwon and Jeon Joonho By The Editors

Commentary

• FINE PRINT: How (droit de) suite is it? By Antony Dapiran
• THE POINT: The Lure of the Glossy By Valentine Willie