
Editor's Letter
Reports
- QUESTIONNAIRE: Nalini Malani By
- ONE ON ONE: Ahmet Öğüt on Tunç Ali Ćam By
- DISPATCH: Hong Kong By Tobias Berger
- AUCTION REPORT: Slow and Solid By
- ART FAIR REPORT: Springing into Action By
- THE POINT: Microblogging in China By Ai Weiwei
- PREVIEWS: All in This Together By
- NEW CURRENTS: John Clang, Tiffany Singh, Ali Taptık By
- THE LAST WORD: Concrete Ambitions By Paul Serfaty
Essays
- ARCHIVE: Progress, Piety and Mess By Joe Martin Lin-Hill
- CASE STUDY: Devastating History By Chin-Chin Yap
- PERSPECTIVE: Dancing Dragon By Kathy Zhang
- Restoring Trust By John Jervis
Profiles
- Stuart Ringholt: A Naked Truth By Michael Young
- Do-Ho Suh: The Poetics of Space By Jayoon Choi
- Rudy Tseng: Executive Producer By Elaine W. Ng
- Lamya Gargash: Emirati Estrangements By Alexandra MacGilp
Features
- Gordon Bennett: Fields of Disturbance By Olivier Krischer
- Kim Beom: Open the Most With the Least By Han Keum Hyun
- Jananne al-Ani: Disembodied Perspective By HG Masters
- Michael Rakowitz: The Sweet and Bitter Road By Hanae Ko
Reviews
- Milan: Latitudes. Encounter with the Philippines. Part II By Alessandra Alliata Nobili
- Colombo: 2012 Colombo Art Biennale By Josephine Breese
- Melbourne: Ranjani Shettar By Rachel Kent
- Taipei: Xu Bing By David Frazier
- Beijing: Starting By Iona Whittaker
- Hong Kong: M+ Bamboo Theatre Exhibition By Kathy Zhang
- New Delhi: Elephant in the Dark By Jyoti Dhar
- Beirut: Marwan Rechmaoui By Maha Majzoub
- Istanbul: Burak Delier By HG Masters
- Berlin: Ryoji Ikeda By Don J. Cohn
- London: Zarina Bhimji By John Jervis
- New York: The Ungovernables By Hanae Ko
- Los Angeles: Ming Wong By Jennifer S. Li
- BOOK REVIEW: Yayoi Kusama By Don J. Cohn
- San Francisco: Claire Healy & Sean Cordeiro By Jessica C. Kraft