
Editor's Letter
Reports
- ONE ON ONE: Brook Andrew on Jimmie Durham By
- DISPATCH: Phnom Penh By
- THE POINT: Navigating Laws and Accessibility in Exhibition Practices By Christine Sun Kim
- FINE PRINT: The Artist Pension Trust and the Price of Trusting Others By Ryan Su
Essays
Profiles
- Désiré Feuerle By Ned Carter Miles
- Andrew Ruff and Ling Ling Zou By Arthur Solway
- Jam Acuzar By Josephine V. Roque
- Penelope Seidler By Michael Young
- Pakhruddin Sulaiman By
- Douglas So: Decisive Moments By Chloe Chu
Features
- Kwok Mang-Ho: Perpetual Rebel By Ysabelle Cheung
- Young & Emerging: Landscapes Scarred And Renewed By
- Then And Now: A look back through our archives, from 1993 to 2017 By
- Inside Burger Collection: The Artist As Mirror Holder By Ho Siu Kee
- Jumana Emil Abboud: Spirits That Possess Homelands By HG Masters
Reviews
- Eindhoven: Rasheed Araeen By Clara Tang
- BOOK REVIEWS: When Worlds Collide By Brady Ng
- Shanghai: Joseph Beuys and Nam June Paik By Arthur Solway
- Los Angeles: Noboru Takayama By Jennifer S. Li
- Art and China After 1989: Theater of the World By HG Masters
- Brisbane: Problem-Wisdom By Tim Walsh
- Sydney: Lisa Reihana By Michael Young
- Taichung: Sixth Asian Art Biennial By Rikey Cheng
- Seoul: Reenacting History By Elaine W. Ng
- Shanghai: Kohei Nawa By
- Beijing: Yin Xiuzhen By Tom Mouna
- Hong Kong: The Weight of Lightness By Olivia Wang
- Singapore: Chen Wei By Jean Wong
- Tbilisi: Artisterium 2017 By Charles Merewether
- Beirut: Raed Yassin By Gökcan Demirkazik
- Rome: Home Beirut By Ana Vukadin
- London: Basma Alsharif By Ned Carter Miles
- New York: Ahmed Mater By Tausif Noor
- Jakarta: Jakarta Biennale 2017 By Vera Mey