Issue

Installation view of WONG PING’s The Ha Ha Ha Online Cemetry Limited (foreground), 2019, toy dentures, dimensionsvariable, and Dear, Can I Give You a Hand? (background), 2018, anim

London: Wong Ping

Installation view of MRINALINI MUKHERJEE’s “Phenomenal Nature” at the Met Breuer, New York, 2019.Courtesy the Metropolitan Museum of Art, New York.

New York: Mrinalini Mukherjee

South Ho Siu Nam at his desk in his Fo Tan studio.

South Ho Siu Nam

On Board with Good Business

Together We Might Get Away, 2019, oil on canvas, 244 × 183 cm. Unless otherwise stated, images courtesy the artist and albertz benda, New York.

INSIDE BURGER COLLECTION: Timothy Curtis

Toronto: Joana Hadjithomas and Khalil Joreige

Installation view of selected works from TRUC-ANH’s Ink Kingdom series, 2015– , ink on paper, dimensions variable, at “Where the Sea Remembers,” The Mistake Room, Los Angeles, 2019

Los Angeles: Where the Sea Remembers

BOOK REVIEWS: Alternative Perspectives

The De-Satirized Zone

The De-Satirized Zone

Installation views of Elevator Pitch, created in collaboration with New Orleans Airlift and Rick Snow, 2019, mild steel, stainless steel, copper, acrylic, cypress, electronic instr

IN DEPTH: CHRISTINE SUN KIM, NAOMI BLACKLOCK, DYLAN MIRA

MEIRO KOIZUMI, Air #1, 2016, oil on printed canvas, 40 x 60 cm. Takashi Collection, Tokyo. All photos by HG Masters for ArtAsiaPacific.

Nagoya and Toyota: Aichi Triennale 2019

Installation view of *KATHARINA GROSSE*'s _The Horse Trotted Another Couple of Metres, Then It Stopped_, 2017, spray paint on suspended fabric, dimensions variable, at Carriagework

119 News Sections: Controversies, Career Moves, Public Domain

PATTY CHANG, Flotsam Jetsam – Linyi and Tiger, 2007, inkjet photograph, 102 × 127 cm. Courtesy the artist and David Kelley.

Special Effects

LEO VALLEDOR, Skeedo, 1965. Acrylic on canvas, 152.4 × 325.12 cm. Photo by Katherine Du Tiel. Courtesy the artist.

ONE ON ONE: Pio Abad on Leo Valledor