Issue

Installation view of *HIROKI TSUKUDA*'s _Offworld_, 2020, charcoal, acrylic ink, and pencil on paper, wood panel, with silkscreen-printed acrylic frame, dimensions variable, at

New York: Hiroki Tsukuda: They Live

*TISHAN HSU*, _Portrait_, 1982, oil stick, enamel, acrylic, vinyl cement compound on wood, 145 x 221 x 15 cm.Collection of the artist. Photo by Jeff Lane. Copyright and courtesy th

Los Angeles: Tishan Hsu: Liquid Circuit

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Book Reviews: Revolutions in the Margins

LU YANG in his Shanghai studio. All images courtesy the artist unless otherwise stated.

Where I Work: Lu Yang

The Sketch: Mai-Thu Perret

The Sketch: Mai-Thu Perret

Illustration by Julie Lai.

The Point: Fluid Futures

Exterior view of the Art Gallery of South Australia (AGSA) in Adelaide. Photo by Saul Steed. Courtesy AGSA.

118 Main News: Covid-19 Crunch Mobilizes Cash and Creativity

Installation view of *HARUYUKI UCHIDA*'s _Merry Gate_, 2020, stainless steel, magnets, paint, 340 x 750 x 106 cm, at

118 News Sections: Controversy, Public Domain, Career Moves

118 Whispering Gallery: Emergency Exits

Installation view of *DEREK TUMALA*'s _Pure Impermanence_, 2020, vinyl wallpaper, ten-channel video installation: five-minute loop, at the booth of The Drawing Room, ALT Philippine

118 Art Fair Report: Survival Mode

Still from *SHOTA YAMAUCHI*'s _Detour_, 2017, multi-channel video installation with PC, rear screen, projector, chair, dimensions variable, video: 21 min 20 sec. Courtesy the artis

118 New Currents: Shota Yamauchi, Vivien Zhang, Anvar Musrepov

Detailed installation view of *SUN YUAN and PENG YU*'s _Free Biographies_, 2018-19, mixed-media installation, dimensions variable, at Arario Gallery, Shanghai, 2019-20. Copyright a

Up Close: Sun Yuan and Peng Yu

Up Close: Wang Tuo

Up Close: Wang Tuo

*YEE I-LANN*, _Tikar-A-Gagah_ (detail), 2019, pandanus weave and commercial chemical dye (split bamboo weave, black natural dye, and stitched bamboo weave on the reverse side), cre

Editor’s Letter: On the Other Side of Fear