Issue

Exterior view of Centre for Chinese Contemporary Art (CFCCA), Manchester, 2017. Photo by Arthur Siuksta. Courtesy CFCCA.

The Year of the Rat

Portrait of *ANGELA TIATIA*. Photo by Kieren Cooney. Courtesy the artist and Sullivan + Strumpf, Sydney/Singapore.

Angela Tiatia: The body is political; politics is embodied

Portrait of *ARTHUR DE VILLEPIN*. Photo by Peter Chung for ArtAsiaPacific.

Arthur de Villepin: Path of Self-discovery

Portrait of the artist. Photo by Ram Rahman. Courtesy Luhring Augustine, New York.

Memories of Zarina Hashmi

Installation view of _Black Balthazar_, 2013, birch plywood, rattan core, and water-based paint, 123 x 115 x 30 cm, at

Mai-Thu Perret: I Know the Meaning of Revolution

Up Close: Farid Rasulov

Up Close: Farid Rasulov

*GREGOR HILDEBRANDT*, _Im Zimmer die Decke betrachtend_, 2018, inkjet print, inlays, and plastic boxes in wooden case, 170 x 125 cm. Photo by Roman Marz. Courtesy the artist and We

Inside Burger Collection 35: Gregor Hildebrandt: A House Made of Songs

Detailed installation view of YHONNIE SCARCE’s In the Dead House, 2020, glass, dimensions variable, at theAdelaide Biennial of Australian Art: “Monster Theatres,” Adelaide Botanic

Adelaide: Adelaide Biennial of Australian Art: Monster Theatres

*HWAYEON NAM*, _Larger than Life_, 2019-20, still from four-channel video installation: 25 min 47 sec. Courtesy the artist.

Seoul: Hwayeon Nam: Mind Stream

Installation view of JEFFREY SHAW's _The Golden Calf_, 1994/2018, mixed-media installation, dimensions variable, at

Hong Kong: Jeffrey Shaw: WYSIWYG

*ANTONIO PICHILLA*'s _Nudo/Knot_, 2014, oil on canvas and handmade textile. Courtesy the artist.

Hong Kong: Garden of Six Seasons

*ROBERT ZHAO RENHUI*, _The Lines We Draw II (Towards North Korea)_, 2019, UV printed lightbox, 100 x 150 x 12 cm.Courtesy the artist and ShanghArt Gallery, Shanghai / Beijing / Sin

Singapore: Robert Zhao Renhui: The Lines We Draw

*HASANUL ISYRAF IDRIS*,_ Nadi of Puspa_, 2017, from the _HOL (Higher Order Love) Chapter 2.3, Wound: Environment of Naga and Doubt_ series, 2017, watercolor, ink and color pencil o

Kuala Lumpur: The Body Politic and the Body

*ADJI DIEYE*'s _Maggic Cube_, 2016-19, lambda print on aluminum and yellow wooden frame, 100 x 70 cm. Courtesy the artist.

Vienna: . . . of bread, wine, cars, security and peace