Issue

New York’s Solomon R. Guggenheim Museum deaccessioned *ZAO WOU-KI*'s oil-on-canvas _Untitled_ (1958) in March 2019, raising questions about the ethical boundaries of institutions’

119 Fine Print: The Ethics and Legality of Deaccessioning in Desperate Times

*ZHENG BO*, _Pteridophilia 4_, 2019, from the Pteridophilia series (2016- ), still from video with color and sound: 16 min. Courtesy the artist.

The Point: Art as Multispecies Vibrancy

Portrait of JOVEN CUANANG. Courtesy Wigs Tysman / Philippine Tatler.

Joven Cuanang: A Second Life

*JOHN PULE*, _Same time, same coast_, 2019, oil, varnish, ink, enamel, and resin on canvas, 115 x 115 cm. Courtesy Gow Langsford, Auckland.

119 Art Fair Report: The New Normal

*SHIRLEY TSE*, _Playcourt_ (detail), 2019-20, mixed-media installation, dimensions variable. Photo by Ela Bialkowska / OKNOstudio. Courtesy the artist and M+, Hong Kong.

119 Previews: Undaunted by Distance

*HUN KYU KIM*, _The Secret Barn_, 2019, pigment on silk, 135 x 100 x 2.5 cm. Courtesy the artist and High Art, Paris.

119 New Currents: Hun Kyu Kim, Mak Ying Tung 2, Yen Chun Lin

Exterior view of the UCCA Center for Contemporary Art in Beijing. Photo by Bian Je. Courtesy the Office for Metropolitan Architecture, Rotterdam.

119 Main News: First Reawakenings Across the Asia Pacific

Installation view of *KATHARINA GROSSE*'s _The Horse Trotted Another Couple of Metres, Then It Stopped_, 2017, spray paint on suspended fabric, dimensions variable, at Carriagework

119 News Sections: Controversies, Career Moves, Public Domain

119 Whispering Gallery: More than Elbows Bumping

Installation view of *ANDREW LUK*'s _Haunted, Salvaged_, 2020, extruded polystyrene foam, paint thinner, expanding spray foam, cement, concrete, stainless-steel mesh, stainless ste

Up Close: Andrew Luk

*BYRON KIM*, _The Valleys are Asleep and the Mountaintops_, 2019, cotton fabric with natural dye, 157.5 x 137.1 cm. Courtesy the artist and Centre for Heritage, Arts and Textile, H

Up Close: Byron Kim

*SAWANGWONGSE YAWNGHWE*, _Bullet School VI_, 2018, oil and acrylic on canvas, 315 x 360 cm. Courtesy the artist and H Gallery, Bangkok.

Editor’s Letter: Facing Reality Anew

Installation view of

Dispatch: San Francisco: Between the rise and fall

*FELIX GONZALEZ-TORRES*, _Untitled (Ross and Harry)_, 1991, printed ink on punched cardboard and plastic, 19 x 24 cm. Copyright the artist. Photo by FotoGasull. Courtesy Museu d'Ar

One on One: Maria Taniguchi on Félix Gonzalez-Torres and Judy Freya Sibayan