Issue

121 Whispering Gallery: Fun for All

Installation view of *TRUONG CONG TUNG*s _Forest Dust (Form, faith, fear)_, 2019- , rubber tree roots, wooden beads, funeral garlands, soil, fertilizer plastic bag, dimensions vari

Up Close: Truong Cong Tung

Up Close: Su Yu Hsin

Up Close: Su Yu Hsin

*HAJRA WAHEED*, _The ARD: Study for a Portrait 1-28_, 2018, photographic collage, transfer paper, mylar and archival tape on graph paper, 35.6 x 46 cm. Photo by Paul Litherland. Co

120 Editor’s Letter: Radical Hope

*ROSALIND NASHASHIBI*, _Vivian's Garden_, 2017, still from video with color and stereo sound: 29 min 50 sec. Courtesy the artist and LUX, London.

One on One: Inas Halabi on Rosalind Nashashibi

*DEANNA BOWEN*, _Rupert Lanes (after Wall)_, 2019, chromogenic print on dibond, 67.3 x 101.6 cm. Photo by SITE Photography. Courtesy the artist and Contemporary Art Gallery, Vancou

Dispatch: Vancouver: Negotiating Space and Race

Illustration by Tiffany Tam.

The Point: Imagining the Impossible

Portrait of *GAYLORD CHAN* in front of _Half Yellow Moon_, 1989, acrylic on canvas, 122 x 122 cm.Courtesy Josephine Chow and Hanart TZ Gallery, Hong Kong.

Tribute: Gaylord Chan, 1925-2020

Installation view of *CHARLES LIM*'s _SEA STATE 9: proclamation garden_, 2019, more than 30 lesser-known plant species gathered from reclaimed areas, dimensions variable, at Ng Ten

Whose Land? Examining Claims to Sand and Memory

Portrait of *RACHEL TEO*. All images courtesy The Private Museum, Singapore.

Rachel Teo: The Micro Initiator

Portrait of *ZHENG MAHLER*. All images courtesy the artists.

Zheng Mahler: The Tides of Time

Portrait of *MILJOHN RUPERTO*. Courtesy Ann Sophie Von Bulow.

Miljohn Ruperto: (Am)bivalent Images

Installation view of *HAJRA WAHEED*'s _The Spiral_, 2019, single-channel video installation with sound: 7 min 10 sec, at

Hajra Waheed: Collective Cosmologies

Forming the landscape, 2018, charcoal, ink, acrylic, and scale-model on plywood, 64.5 x 88.5 x 7.4 cm. Courtesy the artist and Blindspot Gallery, Hong Kong.

Lam Tung Pang: Looking at Looking