Issue

120 Whispering Gallery: Hang Ten

Detailed installation view of *CATALINA OUYANG*'s _font V_, 2020, soapstone, horse hair, glue, abandoned wood, gifted honeycomb, raw egg, white vinegar, 25.4 x 15.2 x 25.4 cm, at

120 New Currents: Catalina Ouyang, Xinyi Cheng, Yona Lee

Up Close: Diane Severin Nguyen

Up Close: Diane Severin Nguyen

Up Close: Forensic Architecture

Up Close: Forensic Architecture

*CHU TEH-CHUN*, _Les Elements Confederes_, 1983-84, oil on canvas (pentaptych), 162 x 650 cm. Courtesy Sotheby's, Hong Kong.

119 Auction Preview: Feeding Frenzy

*MAI-THU PERRET*, _News From Nowhere II_, 2019, Haute lisse hand woven wool tapestry, 210 x 150 cm. Courtesy the artist and Simon Lee Gallery, Hong Kong / London / New York.

Editor’s Letter: Dreams of Progress

Installation view of

Dispatch: Amsterdam: Postcolonial Processes

*MARY KELLY*, _Post-Partum Document: Documentation VI, Prewriting Alphabet,Exergue and Diary_ (detail), 1978, Perspex unit, white card, resin, slate, 18 units, 35.5 x 28 cm. Copyri

One on One: Sung Tieu on Mary Kelly

Exterior view of Centre for Chinese Contemporary Art (CFCCA), Manchester, 2017. Photo by Arthur Siuksta. Courtesy CFCCA.

The Year of the Rat

Portrait of *ANGELA TIATIA*. Photo by Kieren Cooney. Courtesy the artist and Sullivan + Strumpf, Sydney/Singapore.

Angela Tiatia: The body is political; politics is embodied

Portrait of *ARTHUR DE VILLEPIN*. Photo by Peter Chung for ArtAsiaPacific.

Arthur de Villepin: Path of Self-discovery

Portrait of the artist. Photo by Ram Rahman. Courtesy Luhring Augustine, New York.

Memories of Zarina Hashmi

Installation view of _Black Balthazar_, 2013, birch plywood, rattan core, and water-based paint, 123 x 115 x 30 cm, at

Mai-Thu Perret: I Know the Meaning of Revolution

Up Close: Farid Rasulov

Up Close: Farid Rasulov