Issue

<b>SIBEL HORADA</b>, <i>The Division [Taqsim] of Water</i>, 2020, still from video: 10 min 28 sec. Courtesy the artist and Saha, Istanbul.

Istanbul: Sibel Horada: Flowing Through

Installation view of <b>TRISHA BAGA</b>’s <i>1620</i>, 2020, two-channel projection with 2D and 3D video, color, sound: 35 min, at “the eye, the eye and the ear,” Pirelli Hangar Bi

New York: Stories of Struggle

Screenshot of the Yokohama Triennale 2020 press conference. Image by Peter Chung for <i>ArtAsiaPacific</i>.

Festivals of 2020: Remotely Together

Installation view of <b>KHADIM</b> <b>ALI</b>’s <i>Invisible Border 2</i>, 2020, hand and machine embroidered, stitched and dye ink on fabric, 260 × 220 cm, at Lahore Biennale 02,

Festivals of 2020

<b>TETSUMI KUDO</b>, <i>Human Bonsai – Freedom of Deformity – Deformity of Freedom</i>, 1979, artificial soil, resin, plastic, wood, paint, cotton, wire, metal chain, and glass bea

Exhibitions of 2020: Lessons In Survival

Installation view of <b>HƯƠNG NGÔ</b>’s <i>Up Against The</i>, 2017, invisible ink on sulphite pulp paper, bottle of iodine, nine prints, dimensions variable, at “Lost From View,”

Exhibitions of 2020

Previews: Up Next

Agenda 2021: Festivals and art fairs for an unpredictable world

*THU VAN TRAN*, _Penetrable - Rainforest #1_, 2019, rubber on canvas, wooden frame, pigment, 180 x 150 cm. Copyright the artist. Photo by Rebecca Fanuele. Courtesy the artist and A

Editor’s Letter: Practices of Realignment

Installation view of *HASSAN KHAN*'s _The Keys to the Kingdom_, 2019, 12 embroidered banners and four printed banners, dimensions variable, at

Dispatch: Madrid: Mind the gap

Illustration by Peter Chung.

The Point: To Conceive of the Curriculum of the Forest

Installation view of *YUKIHISA ISOBE*'s _Where has the River Gone?_, 2000/18, yellow flags and poles on what was the course of the Shinano River in Nakazato, dimensions variable, a

Every Day Earth: The ecological flows of Yukihisa Isobe

Portrait of IRENE AGRIVINA. All images courtesy NTU Centre for Contemporary Art (NTU CCA), Singapore.

Irene Agrivina: Interspecies Matchmaking

Portrait of TAMARA DEAN. All images courtesy the artist and Michael Reid, Sydney/Berlin.

Tamara Dean: In the Vanishing Wild