Issue

<b>MARLENE DUMAS</b>, <i>Like Don Quixote</i>, 2002, oil on canvas, 129.5 x 109.9 x 2.5 cm. Copyright the artist. Courtesy the artist and David Zwirner, New York/London/Hong Kong/P

Art Fairs: Keep On Keeping On

The Artists of 2020: Expanding the Conversation

<b>YOSHITOMO NARA</b>, <i>Knife Behind Back</i>, 2000, acrylic on canvas, 234 x 208 cm. Courtesy Sotheby's Hong Kong.

The Artists of 2020: Yoshitomo Nara

Installation view of <b>TAREK ATOUI</b>'s

The Artists of 2020: Tarek Atoui

<b>BROOK ANDREW</b>, <i>This year, dealing with it . . . </i>, 2020, paper, wood, neon acrylic, 76 x 106 x 8.5 cm. Photo by Luis Power. Courtesy the artist and Roslyn Oxley9 Galler

The Artists of 2020: Brook Andrew

Installation view of <b>MAI-THU PERRET</b>'s (front) _T<i>he merging of all into one-this cannot be grasped_</i>, 2020, glazed ceramics, dimensions variable; and (back) _Les Etangs

The Artists of 2020: Mai-Thu Perret

<b>FORENSIC ARCHITECTURE</b>, <i>Cloud Studies</i>, 2020, stills from video created via 3D modeling, fieldwork geolocation, fluid dynamics, image complex, machine learning, OSINT,

The Artists of 2020: Forensic Architecture

<b>LEELEE CHAN</b>,<i> Blindfold Receptor (Gulf Frit. Orange)</i>, 2020, powder-coated steel columns, stainless-steel base and hardware, epoxy clay, and wheels, 302 x 94.5 x 33 cm.

The Artists of 2020: Leelee Chan

City Reports: A Portal Beyond

<b>VINCENT NAMATJIRA</b>, <i>Stand strong for who you are</i>, 2020, acrylic on linen, 152 x 198 cm.
Copyright the artist. Photo by Mim Stirling/Art Gallery of New South Wales. Cou

Ngunnawal, Ngambri and Gadigal Land: First Nations First

Installation view of <b>CHIHARU SHIOTA</b>’s <i>The Language of God</i>, 2020, mixed media, dimensions variable, at the former Armed
Forces’ Gwangju Hospital, 2020. Courtesy Gwangj

Seoul: Relatively Normal

Photo of <b>JUN YANG</b> and <b>MICHIKAZU MATSUNE</b>'s <i>Dear Friend</i>, 2020, performance at Taipei Arts Festival, Zhongshan Hall, Taipei, 2020. Photo by Tsai Yao-Cheng. Courte

Taipei: Ilha Formosa

<b>HSU CHE-YU</b>, <i>The Unusual Death of a Mallard</i>, 2020, still from video: 16 min 45 sec. Courtesy the artist.

Shanghai: The Rush to Normalcy

<b>MANUEL OCAMPO</b> and <b>JIGGER CRUZ</b>, <i>Revolving Objects of Disintegrations</i>, 2020, oil on canvas, 190.5 x 137.2 cm. Courtesy The Drawing Room, Manila. Copyright and co

Manila: Sequestered, Not Silenced