Issue

Installation view of <b>MALAEB</b>'s <i>Pilot 1.0</i>, 2022, video: 9 min 10 sec, at

Singapore Biennale 2022: Natasha

<b>SHINGO KANAGAWA</b>, <i>for a while</i>, 2011, inkjet print, 28.3 x 35.7 cm. Courtesy Mori Art Museum, Tokyo.

Tokyo: Roppongi Crossing 2022: Coming & Going

Photo of the Emergency Response Coordination Centre working closely with emergency teams from European Union member states and other nations, alongside Turkish authorities to rapid

Main News: Cultural Sector Rallies for Earthquake Relief

Detail of <i>Mother of Pearl</i>, 2021, color print on satin, 76.2 x 127cm. Photo by Daniel Vincent Hansen. All images courtesy the artist and Empty Gallery, Hong Kong, unless othe

Jes Fan: Precious Wounds

<b>ROBERT LANGENEGGER</b>, <i>

Manila: Phylogeny of Desire

<b>YUNIZAR</b>, <i>Ayam Jantan Merah (Red Rooster)</i>, 2020, acrylic on canvas, 160 x 180 cm. Courtesy Gajah Gallery, Singapore / Jakarta / Yogyakarta.

Art Fair Report: Back in the Groove

Installation view of <b>JAFFA LAM</b>'s (left) <i>A Piece of Silence from Lying (standing mode)</i>, 2022, graphite, luminous painting on recycled pine wood from crate box, 260 x 2

Hong Kong: Jaffa Lam

Installation view of <b>PINAREE SANPITAK</b>'s <i>Temporary Insanity</i>, 2004, silk by Jim Thompson, synthetic fiber, battery, motor, propeller, sound device, dimensions variable,

Bangkok Art Biennale 2022: Chaos : Calm

Installation view of <b>DANE MITCHELL</b>'s

The Point: The Museum of Without

<b>ALBERTA WHITTLE</b>, <i>A Black footprint is a beautiful thing</i>, 2021, still from HD, 2K and mobile phone footage: 11 min 30 sec. Courtesy of the artist and The Modern Instit

Previews: March–April, 2023

Photo of <b>KUMPANYA</b>'s performance <i>What is it this time?</i> (2002), featuring Bilge Arat and Ulku Duru in Galatasaray Square, Istanbul. Photo by Kumpanya archive. Courtesy

Istanbul: The 90s Onstage

Archival image of an exhibition opening at the Hong Kong Arts Centre (HKAC), year unknown. Courtesy HKAC.

A Better Tomorrow for Art Museums in Hong Kong: Looking Back at the 1990s

Installation view of <b>BERNY TAN</b>'s <i>Talismans for Disentanglement</i>, 2021, pearl cotton thread and calico, dimensions variable, at

New Currents: Data Driven Dream

Installation view of <b>OZGUR KAR</b>'s <i>DEATH </i>and<i> SNAKE CHARMER</i>, 2021, three-channel 4k videos, Samsung TVs, BrightSign media players, speakers: 20 min, on loop, at G

Active Spirits of Return