Issue

ROY NG, Black Cloud, 2012, stainless steel, plastic bag, motor, 164 x 62 x 45 cm. Courtesy Exit Gallery, Hong Kong.

Hong Kong: Why Do Trees Grow Till the End?

ALICE AND LUCINDA, “The Incredible Lives of Alice and Lucinda”, 1999, from a series of C-prints. Courtesy the artists and Planting Rice.

Manila: Alice and Lucinda

SAKTI BURMAN, Le Déjeuner au Taj Mahal—Hommage a Manet, 2005, oil on canvas, 146 x 114 cm.

Kolkata: Sakti Burman

LIDA ABDUL, In Transit, 2008, video. Courtesy the artist and Galleria Persano, Turin.

Sharjah: Migrasophia

ORHAN PAMUK, Chapter 37 - The Empty House, 2012, Wooden-framed display case containing mixed-media objects, corresponding to chapter 37 of Pamuk's novel The Museum of Innocence (20

Istanbul: Orhan Pamuk

MEIRO KOIZUMI, From

Amsterdam: Meiro Koizumi

MICHAEL JOO, DRWN, Carunculatus (28), 2015, graphite impregnated urethane, dimensions variable. Courtesy the artist and Blain|Southern, London.

London: Michael Joo

KISHIO SUGA, Soft Concrete, 1970/2012, Concrete, oil, steel plates, 121.9 x 538.5 x 538.5 cm. Photo by Joshua White. Courtesy the artist and Blum & Poe, Los Angeles.

Los Angeles: Requiem for the Sun

VALUE OF ART: MONEY, POWER, BEAUTY by Michael Findlay. Published by Prestel Publishing, Munich / London / New York, 2012. Hardcover with color illustrations, 208 pages. Photography

BOOK REVIEWS: Dealing with Money and Friends

Portrait of Song-Ming Ang. Photo by Mizuki Kin. Courtesy National Arts Council Singapore.

Song-Ming Ang

FINE PRINT: Co-Investing in Art

See No Evil, Hear No Evil, Speak No Evil

Aerial view of the Mong Kok area in Hong Kong. Photo by Ann Woo for ArtAsiaPacific.

DISPATCH: Hong Kong

Illustration by Paul Sahre.

THE POINT: Microblogging in China