Issue

HALIL ALTINDERE, Prime Minister, 2011, Oil on canvas, 120 x 180 cm. Photo by Murat Germen. Courtesy Tanas, Berlin.

Berlin: Halil Altındere

AI WEIWEI, Ordos 100 Model, 2011, Pinewood sculpture, 80 x 1,511 x 1,357.3 cm, and video, 60 min 57 sec. Courtesy Galleria Continua, San Gimignano.

San Gimignano: Ai Weiwei

DAYANITA SINGH, File Museum, 2012, Burma teak wood and archival pigment prints,188 x 110 x 47.5 cm. Photo by Stephen White. Courtesy the artist and Frith Street Gallery, London..

London: Dayanita Singh

ZARINA HASHMI, Tasbih, 2001, Maplewood stained with Sumi ink. Courtesy Hammer Museum, Los Angeles.

Los Angeles: Zarina Hashmi

ARIELLA AZOULAY: DIFFERENT WAYS NOT TO SAY DEPORTATION by Ariella Azoulay. Published by Fillip Editions, Vancouver, 2013. Softcover with black-and-white illustrations, 32 pages.

BOOK REVIEW: For the Record

FINE PRINT: You Bought It, But Do You Own It?

QUESTIONNAIRE: LN Tallur

Transnational Reflections

Aerial view of Tehran, 2012. Photo by Mohseen Shahmardi.

DISPATCH: Tehran

Illustration by OLIVER RAW

THE POINT: What Are We Waiting For?

RASHMI MUNIKEMPANNA, Somewhere in Delhi, India #53, one of a series of photographs of streetlamps in Delhi for the project “Come, See Where I Am From,” 2012. Courtesy the artist.

PERSPECTIVE: Performative Impulses

Installation view of “Theatre of the World” at Museum of Old and New Art, Tasmania, 2012. SIDNEY NOLAN’s Colonial Head—Kelly Gang (left), 1943–46, hangs alongside WIM DELVOYE’s Unt

CLOSE READ: Shock of The Old

GREG SEMU, Vic Taurewa Biddle, photograph from the “Battle of the Noble Savage” series, 2007. Copyright the artist and Musée Quai Branly, Paris.

IN DEPTH: Greg Semu

LANTIAN XIE and HALA ALI, Provision Initiative (Passport, Please), 2011, live video and performance installation at the Dubai International Finance Centre, Dubai, 2011. Courtesy th

IN DEPTH: Lantian Xie