Issue

Portrait of SALWA MIKDADI. Photo by and courtesy Sueraya Shaheen.

INTERVIEW: Salwa Mikdadi: Crossing New Boundaries

A LETTER CAN ALWAYS REACH ITS DESTINATION, 2012, multiple-channel video installation, 125 min. Courtesy Abraaj Capital Art Prize. All images in this article are courtesy CRG Galler

Joana Hadjithomas & Khalil Joreige: Of Images, Ghosts and Other Tomorrows

LOOKING FOR MARCEL, 2005, C-print from a series of four, 16.5 x 35.5 cm.

Against Blankness: The Inhabiting Spaces of Simryn Gill

ETEL ADNAN, Untitled, c. 1995–2000, oil on canvas, installation view at Sfeir-Semler Gallery, Beirut, 2010. Courtesy Sfeir-Semler Gallery, Beirut.

Points on a Compass

SCRATCHING THE TABLE SURFACE, 2006–08, acrylic on plywood, photo document, 300 postcards.Courtesy the artist and Vitamin Creative Space, Guangzhou.

Lee Kit: In Pursuit Of . . .

UJI HANDOKO EKO SAPUTRO, The New Prophet, 2011, Polyester resin and air brush. Collection of Queensland Art Gallery | Gallery of Modern Art, Brisbane. Courtesy Queensland Art Galle

Brisbane: The Seventh Asia Pacific Triennial of Contemporary Art

SUN YUAN and PENG YU, Old People's Home (detail), 2007, Mixed-media installation. M+ Sigg Collection. Photo by Paul Green. Courtesy Sherman Contemporary Art Foundation, Sydney, an

Sydney: Go Figure! Contemporary Chinese Portraiture

LEE BUL, Mon Grand Récit: Weep into Stones …, 2005, Polyurethane, foamex, synthetic clay, stainless steel, aluminum rods, acrylic panels, wood sheets, acrylic paint, varnish, elect

Seoul: (Im)Possible Landscape

MAO XUHUI, Green Inverted Scissors, 2009, Oil on canvas, 180 x 150 cm. Courtesy Soka Art Center, Beijing.

Beijing: Mao Xuhui

From left to right, CHICO MACMURTRIE’s Totemobile, 2007, and HUANG YONG PING’s Thousand-Armed Guanyin, 1997–2012, at the ninth Shanghai Biennale, 2012.

Shanghai: Shanghai Biennale

VERTICAL SUBMARINE, Antichamber: The Fake Palindrome, 2012, Mixed-media installation. Courtesy Hong Kong Arts Centre, Hong Kong.

Hong Kong: Of Human Scale and Beyond

DEANNA NG, Garden City – Pelican, 2012, Photograph, 61 x 45.7 cm. Courtesy Objectifs – Centre for Photography and Filmmaking, Singapore.

Singapore: 10 Years of Shooting Home

PRATUANG EMJAROEN, Sacrifice (Fasting Buddha), 1976, Oil on canvas, 175 x 137 cm. Courtesy Bangkok Art and Culture Centre; Bangkok Metropolitan Administration; Faculty of Architect

Bangkok: Thai Trends

RAQS MEDIA COLLECTIVE, Log Book Entry Before Storm, 2014, mixed-media installation of acrylic, video, audio, photographs, diving helmet, glass tiles, offset film negative, site-spe

Kochi: Kochi-Muziris Biennale