Issue

PHI PHI OANH, Installation view of lacquer skins projected onto gallery walls and mounted silk screens for “Palimpsest” at Fost Gallery, Singapore, 2014. Dimensions variable. Court

Singapore Phi Phi Oanh

FÜSUN ONUR, Third Dimension in Painting / Come In (detail), 1981/2014, Installation with wood, painted thread, foam rubber, fabric and spangle, 275 x 300 x 210 cm. Photo by Murat G

Istanbul: Füsun Onur

NADIM ABBAS, Holy Mt IV, 2014, Tetra Brik cartons, dimensions variable. Photo by Cassander Eeftinck Schattenkerk. Courtesy Witte de With Center for Contemporary Art, Rotterdam.

Rotterdam: The Part in the Story Where a Part Becomes a Part of Something Else

YEE I-LANN, Empires of Privateers and Their Glorious Ventures, 2010, Digital print with batik on silk, 132 x 400 cm. Photo by Matthew Booth. Courtesy the artist.

London: A Special Arrow Was Shot in the Neck...

MASAHARU SATO, Calling, 2014, Still from HD Blu-ray disc and projection: 10 min 30 sec. Courtesy the artist, Imura Art Gallery, Kyoto/Tokyo, and Friedman Benda, New York.

New York: Duality of Existence Post Fukushima

LEN LYE, Joan Miró, 1947, Photogram, 43 x 35.8 cm. Courtesy the Len Lye Foundation and Govett-Brewster Art Gallery, New Plymouth.

New York: Len Lye

GENEVIEVE CHUA, Cicadas #5, Castanets, 2014, Acrylic and screenprint with enamel on shaped canvas, 21.6 x 22.9 x 5 cm. Courtesy the artist and Gusford, Los Angeles.

Los Angeles: Genevieve Chua

Kesang Lamdark outside the Rote Fabrik studio complex, on the shores of Lake Zürich.

Kesang Lamdark

FINE PRINT: Good Title, Good Sense

CHOW CHUN FAI, sketch of four stills from the movie King of Comedy (1999), 2005, pen on paper, each page: 21 x 15 cm. Courtesy the artist.

Chow Chun Fai

Vital Encounters

GORDON BENNETT, Daddy's Little Girl II, 1994, Acrylic on wood, 40 x 30 cm. Courtesy estate of the artist.

ONE ON ONE: Tony Albert on Gordon Bennett

View of Beirut from the north. Photo by Paul Assaker.

DISPATCH: Beirut

The entrance to the Gyeongsan cobalt mine, the site of a civilian massacre during the Korean War (1950-53). Production shot in development for Navigation ID, a performance on the o

Chasing and Facing Poetic Testimonies: Minouk Lim