Issue

YEE I-LANN, Empires of Privateers and Their Glorious Ventures, 2010, Digital print with batik on silk, 132 x 400 cm. Photo by Matthew Booth. Courtesy the artist.

London: A Special Arrow Was Shot in the Neck...

MASAHARU SATO, Calling, 2014, Still from HD Blu-ray disc and projection: 10 min 30 sec. Courtesy the artist, Imura Art Gallery, Kyoto/Tokyo, and Friedman Benda, New York.

New York: Duality of Existence Post Fukushima

LEN LYE, Joan Miró, 1947, Photogram, 43 x 35.8 cm. Courtesy the Len Lye Foundation and Govett-Brewster Art Gallery, New Plymouth.

New York: Len Lye

GENEVIEVE CHUA, Cicadas #5, Castanets, 2014, Acrylic and screenprint with enamel on shaped canvas, 21.6 x 22.9 x 5 cm. Courtesy the artist and Gusford, Los Angeles.

Los Angeles: Genevieve Chua

Kesang Lamdark outside the Rote Fabrik studio complex, on the shores of Lake Zürich.

Kesang Lamdark

FINE PRINT: Good Title, Good Sense

CHOW CHUN FAI, sketch of four stills from the movie King of Comedy (1999), 2005, pen on paper, each page: 21 x 15 cm. Courtesy the artist.

Chow Chun Fai

Vital Encounters

GORDON BENNETT, Daddy's Little Girl II, 1994, Acrylic on wood, 40 x 30 cm. Courtesy estate of the artist.

ONE ON ONE: Tony Albert on Gordon Bennett

View of Beirut from the north. Photo by Paul Assaker.

DISPATCH: Beirut

The entrance to the Gyeongsan cobalt mine, the site of a civilian massacre during the Korean War (1950-53). Production shot in development for Navigation ID, a performance on the o

Chasing and Facing Poetic Testimonies: Minouk Lim

PARK SEOBO, Ecriture No. 64-74-77, 1974–77, pencil and oil on canvas, 195 x 300 cm. Courtesy the artist and Blum & Poe, Los Angeles.

Beyond White: Reading Tansawkhwa Today

LEE DONG YOUB, Interspace-Musing (cycle) 917-3, 1992, acrylic on canvas, 162.2 x 130.3 cm. Courtesy Lee Young Min.

Gray Papers

LEE KIT, Johnny, 2014, digital image, dimensions variable. Courtesy the artist.

ONE ON ONE: Lee Kit on Johnny