Issue

Portrait of Tun Daim Zainuddin. Courtesy Tun Daim Zainuddin.

Tun Daim Zainuddin

Portrait of Konfir Kabo. Courtesy Konfir Kabo.

Konfir Kabo

Portrait of Alan Chan. Courtesy Alan Chan.

Alan Chan

Portrait of Yan Shijie. Courtesy Red Brick Art Museum, Beijing.

Yan Shijie

KWON YOUNG-WOO, Untitled , 1984, gouache, Chinese ink on Korean paper, 162 x 130 cm. Courtesy Estate of Kwon Young-woo and Kukje Gallery, Seoul.

Kwon Young-Woo: Painting Between Past and Future

From the series

İnci Eviner: Theater of the Unmentionable

Zheng Chongbin: Boundless Ink

Au Hoi Lam: The Density of Abstraction

Outdoor holdings of sandstone Vishnus, Angkor Conservation Center, Siem Reap, Cambodia, December 2013. Photo Charlotte Huddleston. Courtesy Erin Gleeson.

INSIDE BURGER COLLECTION: Animate Bodies of Work

STAB (SCHOOL OF THEORY AND ACTIVISM, BISHKEK), Цеx (Manufactory), 2012, Still from a video: 1 min 35 sec. Courtesy the artists.

Brisbane: 8th Asia Pacific Triennial of Contemporary Art

GORDON BENNETT, Death of the Ahistorical Subject (Vertigo), 1993, Acrylic on linen, 182 x 182 cm. Photo by Richard Stringer. Copyright and courtesy the Estate of Gordon Bennett.

Brisbane: Gordon Bennett

HA CHONG-HYUN, Conjunction 15-106, 2015, Oil on hemp cloth, 260 x 194 cm. Photo by Sang-Tae Kim. Courtesy Kukje Gallery, Seoul.

Seoul: Ha Chong-Hyun

TREVOR PAGLEN, Trinity Cube, 2015-, Irradiated glass from the Fukushima. Exclusion Zone, Trinitite, 20 x 20 x 20 cm. Photo by Kenji Morita. Courtesy the artist.

Tokyo: Don't Follow the Wind: Non-Visitor Center

YOKO ONO, Ex It, 1997/2015, 70 wooden coffins, pine, bamboo, plum trees and sound, dimensions variable. Installation view of

Beijing: Yoko Ono