Issue

CHARBEL-JOSEPH H. BOUTROS, No Light in White Light, 2014, Still from video : 11 min. Courtesy Grey Noise, Dubai.

Dubai: But Even If I Cannot See the Sun

SALOUA RAOUDA CHOUCAIR, Dual, c. 1978-80, Bronze, 20.5 x 21 x 22.5cm. Courtesy Mathaf, Doha.

Doha: Focus

Installation view of AYŞE ERKMEN’s “Fingerspitzengefühl” at Galerie Barbara Weiss, Berlin, 2015–16. Courtesy the artist and Galerie Barbara Weiss.

Berlin: Ayşe Erkmen

EMILY JACIR, ENTRY DENIED (a concert in Jerusalem), 2003, Still from single-channel video: 105 min. Photo by Joerg Lohse. Courtesy the artist.

London: Emily Jacir

ZHANG HONGTU, Guo Xi–Van Gogh, 1998, Oil on canvas, 244 x 173 cm. Courtesy the artist.

New York: Zhang Hongtu

YUN HYONG-KEUN, Umber Blue, 1981, Oil on linen, 100 x 50 cm. Courtesy Blum & Poe, New York/Los Angeles.

New York: Yun Hyong-keun

KEIJI UEMATSU, Vertical Position, 1973/2003, Gelatin silver print, 90 x 145 cm. Courtesy the artist’s collection at Yumiko Chiba Associates, Tokyo.

New York: For A New World to Come

RANU MUKHERJEE, Guaiwu 2, 2015, Ink and pigment on paper, 21.6 x 27.9 cm. Copyright the artist. Courtesy the artist and Gallery Wendi Norris, San Francisco.

San Francisco: Ranu Mukherjee

THE EYE STILL SEEKS: PAKISTANI CONTEMPORARY ART edited by Salima Hashmi. Published by Penguin Studio, Gurgaon, 2015. Hardcover with full color illustrations, 303 pages.ANWAR JALAL

BOOK REVIEW: In Good Company

Huang Rui in one of his large studios in the Huantie compound.

Huang Rui

Infinex Study i, 2010, acrylic on paper, 57 x 76.5 cm. Courtesy the artist and Sullivan+Strumpf, Sydney/Singapore.

Sydney Ball

FINE PRINT: What If God Exercised Copyright?

NEZAKET EKICI, Lifting a Secret, 2007, Performance installation presented for

Berlin: Nezake Ekici

Close Encounters