Issue

HASSAN SHARIF, Dictionary, 2015, Glue, dictionary pages and cotton rope, 380 x 190 x 80 cm. Courtesy Gallery Isabelle van den Eynde, Dubai.

Dubai: Hassan Sharif

NOBORU TAKAYAMA, Underground Zoo, 1968/2015, Tar and wood, 18 wooden beams: 250 x 21 x 13.5 cm each. Courtesy Fondazione Mudima, Milan.

Milan: Mono-Ha

EASON TSANG KA WAI, New Landmark No. 1, 2014, Digital inkjet print, 73.5 x 81.3 cm.Copyright the artist. Courtesy the artist and Blindspot Gallery, Hong Kong.

Essen: Works in Progress: Photography from China

TALA WORRELL, Lookers, 2015, Oil on canvas and paint cans, dimensions variable. Installation view of “I Spy With My Little Eye” at The Mosaic Rooms, London, 2015. Photo by Andy St

London: I Spy With My Little Eye: A New Generation of Beirut Artists

ANICKA YI, Installation view of “6,070,430K of Digital Spit” at MIT List Visual Arts Center, Cambridge, 2015. Photo by Peter Harris Studio. Courtesy MIT List Visual Arts Center.

Cambridge: Anicka Yi

ON KAWARA, JUN 10 1974, 1974, From series “I Got Up,” 1968–79, Stamped ink on postcard, 8.9 x 4 cm. Collection of Keiji and Sawako Usami. Courtesy Solomon R. Guggenheim Museum, New

New York: On Kawara

HE XIANGYU, Death of Marat, 2011, Fiberglass, silicone, fabric, human hair and leather, 33 x 205 x 85 cm. Installation view of “28 Chinese” at Asian Art Museum, San Francisco, 2015

San Francisco: 28 Chinese

(Left) NALINI MALANI: YOU CAN’T KEEP ACID IN A PAPER BAG, 1969–2014. Published by Kiran Nadar Museum of Art, New Delhi, 2015. Hardcover with color illustrations, 302 pages. (Right)

BOOK REVIEWS: Clash of the Titans

Xu Bing at his main studio in Beijing, China.

Xu Bing

FINE PRINT: Buyer Beware!

Li Shan

Li Shan

Portrait of Dinh Q. Lê. Photo by Tyuki Imamura. Courtesy the artist.

Dinh Q. Lê: Excavating History

RAED YASSIN, Raed the Sindbad, from the series “Dancing, Smoking, Kissing,” 2013, silk thread embroidery on embroidered silk cloth, 85 × 60 cm. Courtesy the artist and Kalfayan Gal

Transitional Practices

KIM BEOM, Untitled (Intimate Suffering #13), 2014, acrylic on canvas, 491 x 348.5 cm. Installation view at Sharjah Biennial 12, 2015. Photo by Alfredo Rubio. Courtesy the artist an

ONE ON ONE: Michael Joo on Kim Beom