Issue

Jagath Weerasinghe working on Yantra Gala and the Round Pilgrimage at the Tlqird Asia-Pacific Triennial of Contemporary Art, 1999, courtesy Queensland Art Gallery, Brisbane.

A NEW ORDER: Contemporary visual art in Sri Lanka

GU WENDA, Cultural Wedding, 1999, performance, Asian Art Museum of San Francisco. Photograph Brenda Prager

Gu Wenda: SILENT SELVES AND PSEUDO-CHARACTERS

Judy Freya Sibayan

Judy Freya Sibayan

HERI DONO, Fake Human Being, 1999, mixed-media installation and performance, Gajah Gallery, Singapore.

Heri Dono

LIM YOUNG-SUN, The Room of the Host, 1998-99, 200 bottles, silicone, speaker, lights and glycerine, dimensions variable, courtesy LiebmanMagnan, New York.

Lim Young-Sun

RAM RAHMAN, Wrestlers, 1988-97, 'Old Delhi Streets' series, black-and-white photograph, 35 x 44 cm.

Ram Rahman

MICHAEL PAREKOWHAI, Currency Lads Look Towards the Sterling, 1999 (detail), stuffed rabbits. Photograph Paul Ovenden. © The Australian Museum.

Michael Parekowhai

SALLY SMART, Family Tree House (Femmage - Shadows and Symptoms), 1998-99, mixed-media installation, dimensions variable, courtesy Earl Lu Gallery, Singapore.

Re-emplace

VIRGINIA HILYARD and VARSHA NAIR, Film - open and closed, 1999 (video detail), mixed-media installation, courtesy the artist.

Film - open and closed

In the Red

In the Red

Modern Aaian Art

YAYOI KUSAMA, Narcissus Garden, 1966-98, 1500 plastic balls, courtesy Museum of Contemporary Art Tokyo. Photograph Norihiro Ueno.

In full bloom: Kusama, Araki and Dumb Type

GYOKO YOSHIDA, All is in an Ear for the Night, 1999, mineral pigments and botanical glue on canvas, 100 x 50 cm, courtesy Nabis Gallery

A new generation: Young artists on show in Tokyo

AMANDA HENG, Between Women, 1998, photographs and mixedmedia installation, dimensions variable.

Finding a place for art: Singapore report