Issue

LI YONGBIN, Face I, 1995-97, video installation.

Outside the Real: A New Form of Video Art in China

A Response from Singapore Art Museum

TATSUO MIYAJIMA, Mega Death, 1999, light-emitting diodes, dimensions variable. Photograph Toshio Shimizu.

A Question of Balance: Japan and Korea at the 48th Venice Biennale

HUANG YONGPING, One Man, Nine Animals, 1999, aluminium-cast wood sculptures, dimensions variable.

Open and everywhere: Chinese artists at the Venice Biennale

David Neel on the Grand Canal with the Keeper of the Animals mask.

Different Totems: David Neel on the Grand Canal

ALISA LIEU-ANH KOTTMAIR, Long Live Tourism!, 1999 (detail), colour print, 105 x 85 cm;

Gap Viet Nam: A Vietnamese Encounter in Berlin

'KAKA-: extended d(I)versions from manila and california', installation view, Small Gallery, Cultural Center of the Philippines.

Out of Order: KAKA-: extended d(I)versions from manila and california

ARI DYANTO, Political Asylum, 1999, illuminated paintings on plexiglass, dimensions variable.

Knalpot: The sound of Indonesian voices

QIU ZHIJIE, Tattoo #1, 1994, photograph, 50 x 38 cm.

Unveiled Reality

YOSHIO ITAGAKI, Tourists on the Moon #2,1998, computer-processed colour photographs, dimensions unknown.

The First Steps: Emerging Artists from Japan

SHUSAKU ARAKAWA and MADELINE GINS, The Site of Reversible Destiny Yoro Park, 1995. Photograph Kunio Miyagawa

The City, Art and the Garden

Forever Blooming Golden Bauhinia, 1997, Hong Kong.

City of Make Believe: Post Handover Monuments in Hong Kong

TOMOKO TAKAHASHI, Authorized for Removal, Reception, 1997, mixed-media installation, dimensions variable, Old Bethnal Green Police Station, London

Staging Controlled Chaos: An interview with Tomoko Takahashi

ARAHMAIANI, Nation for Sale, 1996, installation and performance, boxes, photographs, toy guns, military toys, soil, water, medicine, dimensions variable. Photograph Manit Sriwanich

Passing through fire: Pain and transformation in the art of Arahmaiani