Issue

*PAUL PFEIFFER*, _Playroom_, 2012, Steel, glass one-way mirror, wood, MDF, fabric, upholstery and lights, 158.1 x 182.9 x 76.2 cm. Courtesy Paula Cooper Gallery, New York.

New York: Paul Pfeiffer

Accents and Hyphens: Reading Ping Chong’s Deshima

Museum of New Zealand Te Papa Tongarewa, Wellington.

Museum of New Zealand Te Papa Tongarewa

HUANG YONGPING, The Pharmacy, 1995-97 (detail), mixed-media installation, approx. 595 x 278 cm, courtesy Jack Tilton Gallery, New York.

Huang Yongping

UDOMSAK KRISANAMIS, Servants (Spit), 1994, collage and enamel on poly-cotton blend, 183 x 122 cm. Private collection.

Udomsak Krisanamis

MARGARET SHIU TAN, Life is But a Game (So What's the Next Move)?, 1996, ceramics and mixed media, 400 x 400 x 50 cm. Photograph D, James Dee, 1996.

Six interpretations of Clay: Handmade in Taiwan

HUNG LIU, White Rice Bowl, 1997, oil on canvas, 203 x 203 cm, courtesy Steinbaum Krauss Gallery, New York.

Hung Liu

DAIDO MORIYAMA, Osaka, 1997, black-and-white photograph, 117 x 76 cm, courtesy Taka Ishii Gallery, Santa Monica.

Daido Moriyama

Why Asia?

YUJI NAKADA and TOMOFUMI YOSHIDA, Sinktop Movie, 2004.

Sinktop: Yuji Nakada + Tomofumi Yoshida

May the Old Serve the New!

The Price of Everything, The Value of Nothing

The final panel session on Art Journalism at the

Accentuating the Alternatives at the Second "In-between" Conference

BARBARA EDELSTEIN and JIAN-JUN ZHANG, The Garden of Wishing Trees, 2004, proposal drawing and specification drawing for the Fifth Gwangju Biennale, Gwangju, Korea, September 2004.

Breaking Hierarchies: Gwangju Biennale 2004