Issue

NALINI MALANI, The Sacred and the Profane, 1998, mylar, acrylic, iron, dimensions variable.

Cultural Mythologies

LI SHAN, The Rouge Series No. 8; 1990, acrylic on canvas, 90 x 120 cm.

From the Outside In

FANG LIJUN, Series 2: No. 2, 1992, oil on canvas, 200 x 200 cm.

A Third Space

HUANG CHIH-YANG, Tide Sky, 1997, oyster shells, bamboo, 14x14x6 m.

Pushing Boundaries

LEE BUL, Cyborg Blue, 1997-98, silicone, paint pigment, steel pipe support and base, 160 x 70 x 110 cm. Photograph Yoon Hyung-moon.

Slowness of Speed

RUMMANA HUSSAIN, In Order to Join, 1998, mixed-media installation, dimensions variable, courtesy Art in General, New York.

Blurring the Edges

WONG HOY CHEONG, Tapestry of Thumbprints, 1998, mixed-media installation.

Artis Pro Activ

CHEN SHAOXIONG, Street 3, 1998, mixed-media installation and photographThe Big Tail Elephant Group.

Static Interference

NGUYEN MINH THANH, Mother, 1998, Chinese ink and watercolour on Chinese do paper

Windows on Life

MASATO NAKAMURA, QSC+mV [Quality, Service, Clean + m Value], 1998-99, mixed-media installation, Scai the Bathhouse, Tokyo, supported by McDonald's Company (Japan); Ltd, with cooper

Sign of the Times

BUNDITH PHUNSOMBATLERT, Ready-made Human Product, 1998, chromium trolley with printed embossed plastic units, 210 x 140 x 130 cm.

The Performance of Printmaking

LANI MAESTRO, dream of the other, 1998, slide dissolve installation, audio, courtesy the artist.

The Beauty of Rupture

SAVANHDARY VONGPOOTHORN, Horizon, 1998, acrylic on perforated canvas, 176 x 147 cm. Private collection;

Rythmic Air

ASMA MUNDRAWALA, Reigning Roses, 1997, oil and gold leaf on modelling paste, plaster and board, 35.5 x 15.2 cm;

A Particular Language