Issue

MICHAEL PAREKOWHAI, Currency Lads Look Towards the Sterling, 1999 (detail), stuffed rabbits. Photograph Paul Ovenden. © The Australian Museum.

Michael Parekowhai

SALLY SMART, Family Tree House (Femmage - Shadows and Symptoms), 1998-99, mixed-media installation, dimensions variable, courtesy Earl Lu Gallery, Singapore.

Re-emplace

VIRGINIA HILYARD and VARSHA NAIR, Film - open and closed, 1999 (video detail), mixed-media installation, courtesy the artist.

Film - open and closed

In the Red

In the Red

Modern Aaian Art

YAYOI KUSAMA, Narcissus Garden, 1966-98, 1500 plastic balls, courtesy Museum of Contemporary Art Tokyo. Photograph Norihiro Ueno.

In full bloom: Kusama, Araki and Dumb Type

GYOKO YOSHIDA, All is in an Ear for the Night, 1999, mineral pigments and botanical glue on canvas, 100 x 50 cm, courtesy Nabis Gallery

A new generation: Young artists on show in Tokyo

AMANDA HENG, Between Women, 1998, photographs and mixedmedia installation, dimensions variable.

Finding a place for art: Singapore report

VARSHA NAIR and VIRGINIA HILYARD, Your Hand Opens and Closes and Opens and Closes, 1999, video projection.

Womanifesto: An exhibition of woman's art in Bangkok

PADDY JAPALJARRI STEWART, Door 3: Story Told by Paddy Japaljarri Stewart, painted door, courtesy Museum of Sydney.

Opening cultural doors: Exhibiting indigenous art

SONG YONGHONG, Light, 1998, oil on canvas, 149.8 x 149.8 cm.

Fresh visions: '1999 Art China' in San Francisco

GAVIN FERNANDES, 21st Century Swastika, 1999, photograph, 180 x 150 cm.

A sense of self: Anglo-South Asian artists speak out

TAO YA-LUN, Breathing a Sigh, 1998, fabric, sensor, steel, wool, 202 x 120 x 32 cm, courtesy Gold Coast City Art Gallery.

Face to face: Contemporary art from Taiwan

ANITA DUBE, The Book, 1997, 'Silence (Blood Wedding)', one of thirteen pieces, bone,velvet, lace, beads, glass, thread, dimensions variable.

Sieve-o-physis: An Interview with Anita Dube