Issue

ANITA DUBE, The Book, 1997, 'Silence (Blood Wedding)', one of thirteen pieces, bone,velvet, lace, beads, glass, thread, dimensions variable.

Sieve-o-physis: An Interview with Anita Dube

XU BING, The Cage, 1998, installation, sheep, steel cage

XU Bing: The Cage of Words

AH XIAN, Bust 2,1998 (detail), 'China.China' series, porcelain body cast with handpaintedunderglaze blue landscape design, approx. 30 x 20 x 41.5 cm. Made in Sydney, Australia, and

Fishes and dragons: Ah Xian's 'China. China' Series

Rendra reading a poem during a demonstration, published in Inside Indonesia.

RED AND WHITE REFIGURED: INDONESIAN ACTIVIST ART IN PROGRESS

KIM SOO-JA, A Laundry Woman, 1999, traditional Korean used bedcovers and clothes, wooden pegs, wire rope, dimensions variable, collection the artist.

Fizzle

SHIGEAKI IWAI, Dialogue, 1996-99, installation, video projections, table, chairs, sound, dimensions variable, collection the artist.

Duplicitous Dialogue

JOHN HII, Rain, 1999, online work, Virtual Triennial, surf.to/hii

A Virtual Region

'Probe' exhibition visitors view interactive animation works by Leon Cmielewski, courtesy the Australian Embassy, Beijing.

Probe

Container-ship website, www.e-2.org/c-ship

The Future Looms

Chinese-art.com website, www.chinese-art.com

Black Hole or New Frontier?

EDUARDO KAC, Uirapuru, 1999, helium blimp with camera and transmitter, blimp motion control unit, sensor/ computer interface, sound-emitting units, touchscreen kiosks, computer per

Possibilities for Dialogue

Computer-generated photomontage of the Federation Square project.

A Screen Culture Center

DUMB TYPE, S/N (detail), 1994, performance. Photograph Yoko Takatani.

White-Out

SHU LEA CHEANG, I.K.U., 2000 (detail), feature film, an Uplink Production, www.uplink.co.jp/IKU

An Odd Circuit