Issue

CHATCHAI PUIPIA, Dok Peep, Where Does One Go After Death?, 1997, oil on canvas, 240 x 280 cm.

An Interview with Chatchai Puipia

LAURENS TAN, Well, the Image is One Thing, 1994, sheet steel, Wattyl eurocryl auto finishes, timber, vinyl, video, fabrication Laurens Tanm and Wil Soeterboek, approx. 230 x 250 x

Glocalism: The art of Laurens Tan

LEE WEN, How to Explain Art to My Mother, 1998, performance with video projection and mixed media.

Asian Performance Art Series

SUTEE KUNAVICHAYANONT, Eternal Banality 2, 1997-98, fibreglass, motor, 102 x 45 x 60 cm.

Sutee Kunavichayanont: Raindrops: Pig's Shit Running

AGUS SUWAGE and ERIK PRASETYA, Plastic Globe, 1997, photograph, 180 x 180 cm.

Waste: Plastic (& Other) Waste

JOHN YOUNG, Avalokitesvara and Generic Flower Study # 1, 1998, oil and necoscan on canvas, 183 x 183 cm, courtesy Sherman Galleries, Sydney.

John Young: Sequences from Heaven

Lee Mingwei: Way Stations

LYNNE YAMAMOTO, Ten in One Hour, 1992-96, installation view, grated soap, artificial hair, glass, steel, wood, light, photograph, text, dimensions variable. Photograph Daniel Mirer

Lynne Yamamoto

XU BING, Flower, 1998, 'The Silkworm Series', mulberry branches, vase, table, silkworms, dimensions variable, courtesy the artist.

Where Heaven and Earth Meet: Xu Bing and Cai GuoQiang

NGUYEN VAN CUONG, Franklin in the Crowd, 1997, ink and watercolour on rice paper, 63.5 x 82.5 cm.

Above and Beyond

Manuel Ocampo

Manuel Ocampo

YONG SOON MIN, The Bridge of No Return, 1997, mixed-media installation, 244 x 731.5 cm.

Yong Soon Min

Turandot, Beijing, 1998, the imperial edict declaring the will of Princess Turandot, Act 1.Photograph Guido Mangold.

Turandot

Rue Galliéni, one of the venues for the Third Biennale of Contemporary Art, Noumea.

Noumea - Tokyo