Issue

RIEKO HIDAKA, Looking Up the Trees II, 1989 (detail), pigment on paper, 220 x 360 cm. Photograph Monash University Gallery.

Rieko Hidaka

VASAN SITTHIKET, Blacklist, 1997, exhibition view.

Vasan Sitthiket

ZHU JINSHI, Tao of Rice Paper, 1997, rice paper, metal and bamboo hoops, dimensions variable.

Zhu Jinshi

DEBRA PORCH, Secrets = Stories, 1997, installation, velvet, rayon, paint and buckets, dimensions variable.

Meetings

Camera Indica

Camera Indica

Expressions and Evocations

Expressions and Evocations

ANITA DUBE, Silence (Blood Wedding), 1997 (detail), mixed-media sculptures, dimensions variable.

Telling Tales

LAXMA GOUD, Untitled, 1993, pencil on paper, 40 x 54 cm.

Epic Reality

LIN TIAN-MIAO, The Profileration of Thread-winding, 1995, installation view, wooden bed, eiderdown, balls, 20,000 needles, thread, Chinese traditional paper, television and VCR.

Between Here and There

SHU LEA CHEANG, Buy One Get One, 1997, Internet homesteading project.

Dis/communication

KIM YOUNG-JIN, Secretion, 1997, installation view.

Fast Forward

KI-WON PARK, Duration of Sense, 1997, installation view, vinyl, dimensions variable, Centre for Contemporary Photography, Melbourne.

Making Sense

CHEN PING, The Mountain Hut of Fei Wa, 1997, ink on paper, 60 x 60 cm.

New Literati Painting

OSCAR HO, Violation, 1994, mixed media, dimensions variable.

Hong Kong Report