Issue

Qiu Anxiong

Qiu Anxiong

QUESTIONNAIRE: Jompet Kuswidananto

FINE PRINT: The Adversial Game Widens

Around the World in 60 Days

NORTSE, Zen Meditation, 2012, installation of six monk’s robes, Chinese currency, scriptures, butter lamps, sand, metal frames, 100 x 100 x 80 cm. Courtesy Rossi & Rossi, London.

ONE ON ONE: Tenzing Rigdol on Nortse

Illustration by Kang Joon Mo.

THE POINT: A Third Way

How I Learned to Stop Worrying and Love Art

How I Learned to Stop Worrying and Love Art

YOUNG-HAE CHANG HEAVY INDUSTRIES, This Is not a Joke, 2010, silkscreen print, 120 x 80 cm. Courtesy the artists.

ONE ON ONE: Heman Chong on Young-Hae Chang Heavy Industries

Aerial view of Lahore. Photo by Sonya Reyman for ArtAsiaPacific.

DISPATCH: Lahore

Illustration by Kate Barnett.

THE POINT: No, But Seriously

KHALIL RABAH, Installation view of “The New Palestinian Museum of Natural History and Humankind,” at the National Museum of Contemporary Art (EMST), Athens, 2006. Copyright EMST. C

PREVIEWS: National Alternatives

YAO CHUNG-HAN, Scattered Coordinates 1, 2008–10, mirrors and flashing neon lights, installed at the Intercommunication Center, Tokyo, 2010. Courtesy the artist.PRATCHAYA PHINTHONG,

NEW CURRENTS: Yao Chung-han, Pratchaya Phinthong, Angki Purbandono

ERIK GÖNGRICH’s project titled “Picnic,” for “One Day in the Room,” in collaboration with ODA PROJESI, Galata, June 10, 2001. Copyright Peter Mörtenböck and Helge Mooshammer. Court

PERSPECTIVE: Biennials and Infrastructure Shift – Part I

A young monk in Yushu, China, 2012. Photo courtesy Arahmaiani Feisal.

PROJECT: My Second Life in Tibet