Issue

PUTLI GANJU, Snake, 1998, black earth, red iron and white clay on paper, 72 x 55 cm.

Indigenous Exchange

LEIGH DAVIS, Station of Earth-Bound Ghosts, 1998 (detail), mixed-media installation, dimensions variable Photograph Patrick Reynolds.

Leigh Davis

ROSALIE GASCOIGNE, Solitude, 1997, reflective street signs, wood, 106 x 89 cm, courtesy Roslyn Oxley9 Gallery, Sydney.

Toi Toi Toi

Teststrip Rests in Peace, 1999, photograph Ann Shelton

Testing Ground

MARIKO MORI, Dream Temple, 2002, installation, Museum of Contemporary Art, Tokyo. Photograph Shigeo Muto.

Mariko Mori

PUSHPA D. MURTHY, Rangoli, 1998, rangoli and coloured powder, dimensions variable.

Devotion

MAYA LIN, installation view, front: Untitled, 1997 (detail), particle board, dimensions variable; back: Avalanche, 1997, glass shards, dimensions variable, courtesy Grey Art Galler

Maya Lin

Interior view, featuring work from The First Fukuoka Triennale of Asian Art 1999. Photograph Makoto Murata.

Asia as an Art Museum

ALFREDO D. ESQUILLO JR, Quiaponian Dissection I, 1997, oil on rubber panel (carved and pressed), sawdust, 121.7 x 125.2 cm.

Asia as a State of Mind

NALINI MALANI, The Sacred and the Profane, 1998, mylar, acrylic, iron, dimensions variable.

Cultural Mythologies

LI SHAN, The Rouge Series No. 8; 1990, acrylic on canvas, 90 x 120 cm.

From the Outside In

FANG LIJUN, Series 2: No. 2, 1992, oil on canvas, 200 x 200 cm.

A Third Space

HUANG CHIH-YANG, Tide Sky, 1997, oyster shells, bamboo, 14x14x6 m.

Pushing Boundaries

LEE BUL, Cyborg Blue, 1997-98, silicone, paint pigment, steel pipe support and base, 160 x 70 x 110 cm. Photograph Yoon Hyung-moon.

Slowness of Speed