Issue

MOELYONO, Pameran untuk Marsinah, 1993, installation view of the interrogation scene with the inggeh panels behind. Photograph Dadang Christanto.

Exhibitions: Pameran Untuk Marsinah: The exhibition that never opened

ROVER THOMAS, Cyclone Tracy, 1991, natural pigments on canvas, 168 x 183 cm, National Gallery of Australia, Canberra.

Exhibitions: Roads Cross: The Paintings of Rover Thomas

YAN HSIA, The Businessman, 1988, oil on canvas, 228 x 116 cm.

Exhibitions: A Veil In Between: Taipei Report

YOON SUK NAM, Mother – Her Son and Daughter, 1992, acrylic on wood, 170 x 180 cm. collection the artist.

Exhibitions: Tried and True: Min Joong Art survey exhibition

YUN SUK NAM, Genealogy, 1993, acrylic on wood and paper, 320 x 280 cm.

Staging a Culture: Korean Art at Home and Abroad

SOUN-GUI KIM, Dream of the Butterfly, 1992, images from video installation. Photographs Alan Cruickshank.

The Emptiness of Emptiness Dream of the Butterfly

ROMULO GALICANO, Still Life, 1994, oil, 96.5 x 91.4 cm. Photograph Camarillo.

South-East Asian Sense and Sensibility: The well-filled space, the well-cut silence

ROBERTO VILLANUEVA, Panhumuko (Surrender to Nature), 1991, indoor installation, Lincoln Square Gallery, New York City.

Does the Avant-Garde Begin or End in Asia?

SIMRYN GILL, Heart of the Matter, 1994, (detail) cow dung, soap, agar agar, rubber, papier-mâché, gum resin, found objects.

Annotated Singapore Diary: Censorship, performance, and the Latiff Mohidin retrospective

ANTONIO MAK, Gravity, 1993, bronze, iron, wood, tile, 25.4 x 8.9 x 40.6 cm. Photograph Almond Chu.

An Invitation to Words: The Sculpture of Antonio Mak

John Pule

Lost Gods: The Paintings of John Pule

TIMOTHY AKIS, Tripela Birua, 1975, screen print.

Through Our Own Eyes: Contemporary Art in Papua New Guinea

YANG MAO-LIN, Zeelandia Memorandum L9301, 1993, (detail) oil and acrylic on canvas, 112 x 194 cm. Collection Taipei Fine Arts Museum.

Sexual Realpolitik: Sex and gender in "Art Taiwan" and "Mao Goes Pop"

top: MIRAN FUKUDA, MOT, 1995, graphite on paper, 54 x 42 cm, courtesy Museum of Contemporary Art Tokyo.above: KATSURA FUNAKOSHI, Words Falling on Wood, 1989, painted camphor wood,

The Museum of Contemporary Art Tokyo