Issue

WILLIAM SEETO, Out of the Blue, 1998, site-specific intervention in Melbourne. Photo by C. Snee.

William Seeto: At The Limit

AMBREEN BUTT, Untitled from the

The Big Picture: Art As Social Commentary in Pakistan

AMY CHAM, Horror, 2000, installation.All images courtesy the artist.

Amy Cham: Inside Out

Contemporary dance by Pichet Kluncheun. Part of the 1998

Hot Spot: Bangkok's About Cafe

D-lab workshop in November 2004.All images courtesy Guangdong Museum of Art.

One on One: Beyond The Delta

FIONA HALL, Fucus Vesiculosus - Bladder Wrack, from the

Rosemary Liang and Fiona Hall: Remembering Forwards

Mailed From UK 3, 1973, mixed media. Courtesy the artist.

Cheo Chai Hiang: The Time Is Out Of Joint

Svay Ken in his home and studio. Photo by Erin Gleeson.

Svay Ken: Home And Country

Queen's Club, 2004, Ink, watercolor and gouache on dyed silk, 112 x 70 cm.All images courtesy Grotto Fine Art

Wilson Shieh: Perhaps, Perhaps, Perhaps

Ai WeiweiWang KepingHuang Rui

Meditation On The Stars

MYUNG-DUCK JOO, Mixed-Blood, 1965. Black-and-white photograph. Courtesy the artist.

Seoul: The People in the Time 1945-2005: Sixty Years of Korean Photography

JACKSON HONG, Masked Citizen X, 2001. Mixed Media. Dimensions variable.

Seoul: Jackson Hong

YOKO ONO, Painting to Hammer a Nail, 1961. Mixed Media. Dimensions variable.

Tokyo: Fluxus: Art Into Life

XU BING, The Living Word, 2001. Paint, acrylic. Dimensions variable. Courtesy the artist.

Tokyo: The Elegance of Silence