Issue

EXTRASTRUGGLE’s Angel Atatürk or If Only Rodin Had Been a Kemalist, 2010, which was exhibited at Galeri Non on September 21. Courtesy Galeri Non.

NEWS: Istanbul

Walasse Ting at his studio in Amsterdam, 1990. Photo by Nico Delaive. Courtesy Gallery Delaive, Amsterdam.

OBITUARY: Walasse Ting (1929–2010)

SHUSAKU ARAKAWA, with a Duchamp piece from his collection, at his studio in New York, 2009. Courtesy Reiko Tomii.

OBITUARY: Shusaku Arakawa (1936–2010)

SKYSCRAPER, 2008, production still showing workers building a 35-meter-tall skyscraper from gold-painted iron scaffolding on rural land north of Beijing. All images are courtesy o

Wang Qingsong

Raya Martin on the set of Independencia, 2009, a black-and-white film set in the Philippines in the early 1900s, shot entirely in a studio against artificial backdrops. Courtesy R

Raya Martin

Monir Shahroudy Farmanfarmaian in the lobby of her apartment building in New York, 2010. Photo by Curtis Hamilton for ArtAsiaPacific.

Monir Shahroudy Farmanfarmaian: Fractured & Dissolved into Brilliance

HOW DID OBAMA WIN OVER WHITE, BLUE-COLLAR LEVITTOWN?, 2009, screen print on handmade Japanese paper, 224 x 164 cm. All images in this article are courtesy Brook Andrew and Tolarno

Brook Andrew: Archives of the Invisible

Biennale of Sydney: The Trials of a Long-Distance Relationship

Biennale of Sydney: The Trials of a Long-Distance Relationship

TALK SHOW, 2009, Actor Tom Noonan listens to actress Jill Clayburgh recount Lisa Ramaci’s story about the murder of her husband in Iraq.David Kaczynski (2a, right) tells a story ab

Omer Fast: Truth Bends & Decays As It Travels

CAN’T HAVE IT ALL, 2004, installation in which mist, created from dry ice, was released into the Shaanxi Provincial Art Museum, Xian.A view of CAN’T HAVE IT ALL, 2004, after the dr

Sun Yuan & Peng Yu: The Confinement of Freedom

New York: Hanging Fire

MIN WONG, Whisperyell, 2009, mixed-media installation, dimensions variable.

Darwin: Personal Space

CHEN CHIEH-JEN, Military Court and Prison, 2008, still from single-channel video installation.

Taipei: Chen Chieh-jen

YU YOUHAN, Just What is it that Makes Today’s Home So Modern and So Appealing, 2002, print, 47 x 45 cm.

Shanghai: History in the Making