Issue

YANAGI YUKINORI, Pacific - Shattered Blue (detail), 1997, pigment on muslin, silkscreen printed glass, plywood frame, 210 x 300 x 7 cm, collection Sanbishosha, Kuniaki and Katsuko

Excavating history: Yanagi Yukinori implodes Japan

HANH NGO, china, 1999 (detail), tapestry, cotton, dimensions variable.

Cross-cultural Translations: Hanh Ngo and 'being Vietnamese’

HERI DONO, Flying Angels, 1996 (detail), fibreglass, old clock parts, electronic parts, cotton, 10 figures, each 100 x 60 x 25 cm, collection the artist.

Breaking through twisted logic: Heri Dono’s Critical Eye

PAUL PFEIFFER, Red Background #2, 2000, digital C-print, 28 x 43 cm.

Processes of Erasure: Paul Pfeiffer's narratives of the global

ANDY LELEISI'UAO, Letters of Different Feet, 2000, acrylic on wood panels, triptych, 120 x 90.3 cm.

Samoan Art Histories

TARIQ ALVl, Somewhere Between (Exhibition and Studio), 1996 (detail), table, text, collage, pins, photocopies, magazine pages, photographs, dimensions variable.

The Aesthetic Obsessions of Tariq Alvi

Susan Dewar at the entrance to the Academy of Social Sciences, Beijing, 1998.

TRIBUTE: Susan Dewar (1944-2001)

New York: Qiu Zhijie

POURAN JINCHI, Untitled (Poetry #99–2), 1999, mixed media on canvas, 72 x 60 in.

New York: Pouran Jinchi

MINH NGUYEN, View #12,1999-2000, mixed-media drawings, scent, binoculars, metal hooks, dimensions variable.

Moncton: Minh Nguyen

RUTH WATSON, Place on Earth, 2000, linseed, video, dimensions variable.

Canberra: Ruth Watson

BAE BIEN-U, Sonamu Series, 1992, gelatin silver print, 60.9 x 50.8cm.

New York: Bae Bien-U

MASAHIKO KUWAHARA, Siberia, 2000, acrylic on canvas, 91 x 116.7 cm, courtesy Richard Heller Gallery, Santa Monica.

Santa Monica: Masahiko Kuwahara

MARIKO MORI, Kumano, 1998, video still.

A Super-Flat Reality