Issue

Artist project reinterpreted by Pete Deevakul

Sara Rahbar

Artist project reinterpreted by Pete Deevakul

Arlo Mountford: Off with his Head!

Artist project reinterpreted by Pete Deevakul.

Xu Bing: Words Unbound

Front page of a 1987 edition of Zhongguo Meishubao (“Fine Arts in China” newspaper). Photographed at Li Xianting’s studio in Beijing, 2010. All images in this article are courtesy

Li Xianting: Off the Page

WHY DO FAKE HANDS NOT CLAP, 2010, stills from video installation. All images in this article are courtesy the artist.

Hamra Abbas: The Sound of Broken Clapping

WALLPAPER 03, 2009, mixed media, 167 x 131 x 15 cm. Installation view at Singapore Tyler Print Institute, 2010. Courtesy the artist and Singapore Tyler Print Institute.

Tabaimo: All That Creeps Beneath the Surface

INHWAN OH, Meeting Time, 1999– , from a series of print on paper. All images in this article are courtesy the artist

Inhwan Oh: In Limbo

ASHLEY BICKERTON, Extradition with Palette, 2006, c-print, 92 x 111.5 cm.

Ashley Bickerton: Exposed By My Gaudy Plumage Once Again

AMAR KANWAR, The Face, from the series “The Torn First Pages (Part One),” 2005, still from 19-channel digital video installation. Courtesy the artist and Marian Goodman Gallery, Ne

Berlin: Being Singular Plural

REUBEN PATERSON, The Erotic Champions of the World, 2009–10, diptych, glitter on canvas, 180 x 140 cm. Courtesy the artist and Gow Langsford Gallery, Auckland.

Auckland: Ruben Paterson

TAM OCHIAI, Broken Camera, 2009, mixed-media installation, dimensions variable. Courtesy Watari Museum of Contemporary Art, Tokyo.

Tokyo: Tam Ochiai

HAEGUE YANG, Series of Vulnerable Arrangements– Shadowless Voice Over Three, 2008. Courtesy Galerie Barbara Wien Wilma Lukatsch, Berlin.

Seoul: Hague Yang

Installation view of LIU DAO’s “Garden of Autumn Vapors” at Red Gate Gallery, Beijing, 2010. Courtesy Island6 and Red Gate Gallery, Beijing.

Beijing: Liu Dao

New Delhi: Mrinalini Mukherjee