Issue

Yun Bai

BASIM MAGDY, Two Days to Apocalypse, 2003, flash animation video. Courtesy the artist and Falaki Gallery at the American University, Cairo.

Start ... Again

YAYOI KUSAMA, Fireless on the Water, 2002, mirror, plexiglass, 150 lights and water, 115

ONE ON ONE: Franklin Sirmans on Shamim Momin

A poster for the controversial issue of focas: Focus on Contemporary Art 8 Society Courtesy of focas.

NEWS: Fear of an Asian Guggenheim?

WAYNE BARRAR, Target Mannequins and Noose, Weapons Training Building, Wendover Airbase, 2001, silver Gelatin print, 400 x 600 mm. Courtesy of the artist and McNamara Gallery.

NEWS: Telecom Prospect 2004

YUDHI SOERIOATMODIO in collaboration with LAYUNG BUWONO, OBLO PICASSO and GARDANALLA THEATRE GROUP, Mutlak Jujur (Strictly Honest), 2003, photography project.

HOT SPOT: A Crucial Coming of Age

ANISH KAPOOR, Marsysas (detail), 2002, PVC and steel. Installed at the Tate Modern. Photo by Marcus Leith and Andrew Dunkley. Courtesy Barbara Gladstone Gallery, New York.

Anish Kapoor: Between Poetry and Prose

Orientalness Conference, courtesy of Gwangju Biennale Foundation.

THE POINT: Orientalness: Rethinking Art Along the East-West Axis

Mark Bradford

Kim Chang-il, head of Arario Gallery, owns a large collection of British contemporary art. Photo courtesy Min Hee-chul.

Kim Chang-il: Redefining the Korean Collector

XU BING, Monkeys Grab for the Moon, 2002, wood, fiberglass, paint. Installation view at the Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC. Photo courtesy of th

THE BIG PICTURE: Beyond Iconography

Kouichi Endo, CEO and president of UK Projects.Bazra, a UK Projects band.

ONE ONE ONE: Tim Evans on Kouchi Endo

Farmstay

AAP MUSIC PICKS: UK Projects Bands

Lee Mingwei: The Tourist

Lee Mingwei: The Tourist